Large initials in brown with penwork decoration, or in red with highlighting in green and/or blue. Small initial with penwork decoration and highlighting in blue, Small initials and letters in red or green. Tables in green and red with an
the sermons based on John. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage in red,
sermons based on Matthew. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage in red, or
Large initials in brown with penwork decoration, or in red with highlighting in green and/or blue. Small initial with penwork decoration and highlighting in blue, Small initials and letters in red or green. Tables in green and red with an
Large initials in brown with penwork decoration, or in red with highlighting in green and/or blue. Small initial with penwork decoration and highlighting in blue, Small initials and letters in red or green. Tables in green and red with an
Text page. ff. 69-72 are fragments from the same manuscript as Stowe 1061 f. 125. Musical notation in many fragments.Mostly removed from bindings.ff. 1-21v; 24-47v; 51-57v; 61-63v; 65; 67-68v; 73 are various fragments, including of the Laws of Alfred
Initials outlined in red, blue or green with penwork decoration in zoomorphic (e. g. ff. 38, 85v) and/or foliate patterns on coloured background, at the beginning of each homily. Display capitals highlighted in red and blue. Rubrics in red and
Initials outlined in red, blue or green with penwork decoration in zoomorphic (e. g. ff. 38, 85v) and/or foliate patterns on coloured background, at the beginning of each homily. Display capitals highlighted in red and blue. Rubrics in red and
Initials outlined in red, blue or green with penwork decoration in zoomorphic (e. g. ff. 38, 85v) and/or foliate patterns on coloured background, at the beginning of each homily. Display capitals highlighted in red and blue. Rubrics in red and
Initials outlined in red, blue or green with penwork decoration in zoomorphic (e. g. ff. 38, 85v) and/or foliate patterns on coloured background, at the beginning of each homily. Display capitals highlighted in red and blue. Rubrics in red and
at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork
at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork
at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork
at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork
3). Large initial in blue with reserved lines and red pen-flourishing at the beginning of each subsequent book (ff. 15v, 29v, 41v, 54v, 65v, 77, 91, 105v, 118v, 130, 143, 153, 168v, 182). Initials in blue with red pen-flourishing or
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th
were formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial (f. 3v). Simple endpiece (f. 3). In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect