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silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).
two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
similar mis-en-page and decoration, and flyleaf notations. Full border, of red pen flourishing (f. 2). Small initials in red and blue with pen-flourishing. Similitudines Anselmi, with table of chapters Former shelfmark (?) ‘L.N.9’, ‘N° 3’ (f. i verso) and ‘B’
281. 2 large initials in red with blue penwork decoration (ff. 2, 3v). 1 large initial in red (f. 5). Small initials in brown ink. Epistolae 280, 281, and 415, imperfect and fragmentary Thomas Astle (b. 1735, d. 1803), archivist
14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul, with
gloss. 14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul,
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
in red, initials in red, some with penwork decoration in green, initials in purple, or/and in blue. Display script in red, green and blue (f. 52), or in red and purple (ff. 4v, 78v, 79v, 89v, 91, 94v). Chapter numbers
in red, initials in red, some with penwork decoration in green, initials in purple, or/and in blue. Display script in red, green and blue (f. 52), or in red and purple (ff. 4v, 78v, 79v, 89v, 91, 94v). Chapter numbers
colours and gold (ff. 2, 4v, 42v, 75, 76 (x2), 102, 103). Small initials in red with blue or green pen-flourishing, in blue with red pen-flourishing, in green with red pen-flourishing, or in brown with red pen-flourishing, some with reserved
of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in
of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in
of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in
of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in
lance in red and brown ink (f. 81). 2 large puzzle initials in red and blue (ff. 40v, 113). Plain initials in red and blue. Capitals marked in red. The Scheme of the Heptarchy (f. 40), the Roman de Brut
tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15
tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15