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in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and
in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and
at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral
God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,
God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,
60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o
60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o
60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o
in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red
in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red
in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red
S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany
S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany
S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany
S. Nicholai; Miracula S. Nicholai Large initial in red with penwork decoration in green (f. 85). Large initials in red, blue, or green, some with simple penwork decoration and sometimes highlighted in yellow. Rubrics in red or green. Theological miscellany
gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed
gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed
gold. Small decorated initials (2 lines) in grisaille on gold grounds. Small initials (1 line) in gold on red or blue grounds. Book of Hours, Use of Rome Unidentified owner, 16th century, perhaps with the initials 'BDF' (monogram on binding).Inscribed
foliate motifs, between books 3 and 4 (f. 69v). 1 half-page drawing in dark brown ink with some red and blue (Deposition from the Cross) in book 2, chapter 24 (f. 33v). 4 large initials, outlined in dark brown ink,
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures