• Decorated initial 'O'(mnis) with a hybrid creature holding an axe., Metaphysica (with Averroes' Commentarium Magnum) (ff. 3-145), Ethica nova and Ethica vetus (ff. 145v-149) and Liber de Causis (ff. 150-157)

colours with gold on a pink ground with a lion on top (f. 3). 11 decorated initials in red and blue with gold on pink grounds with pen-flourishing in colours with gold, with human figures, birds, animals or hybrid creatures

• Decorated initial 'D'(ictum) with foliate decoration and pen flourishing with a peacock perched on top., Metaphysica (with Averroes' Commentarium Magnum) (ff. 3-145), Ethica nova and Ethica vetus (ff. 145v-149) and Liber de Causis (ff. 150-157)

colours with gold on a pink ground with a lion on top (f. 3). 11 decorated initials in red and blue with gold on pink grounds with pen-flourishing in colours with gold, with human figures, birds, animals or hybrid creatures

• Historiated initial 'C'(onsideratio) with adjoining image of monks instructing pupils with a lion atop the frame and foliate decoration., Metaphysica (with Averroes' Commentarium Magnum) (ff. 3-145), Ethica nova and Ethica vetus (ff. 145v-149) and Liber de Causis (ff. 150-157)

colours with gold on a pink ground with a lion on top (f. 3). 11 decorated initials in red and blue with gold on pink grounds with pen-flourishing in colours with gold, with human figures, birds, animals or hybrid creatures

• Decorated initial 'N'(ecesse) with pen-flourishing in foliate patterns with a parrot perched on top of the ascender., Metaphysica (with Averroes' Commentarium Magnum) (ff. 3-145), Ethica nova and Ethica vetus (ff. 145v-149) and Liber de Causis (ff. 150-157)

colours with gold on a pink ground with a lion on top (f. 3). 11 decorated initials in red and blue with gold on pink grounds with pen-flourishing in colours with gold, with human figures, birds, animals or hybrid creatures

• Initial 'I'(nitium) with foliate decoration including an animal head and a bird perched at the bottom., Metaphysica (with Averroes' Commentarium Magnum) (ff. 3-145), Ethica nova and Ethica vetus (ff. 145v-149) and Liber de Causis (ff. 150-157)

colours with gold on a pink ground with a lion on top (f. 3). 11 decorated initials in red and blue with gold on pink grounds with pen-flourishing in colours with gold, with human figures, birds, animals or hybrid creatures

• Decorated initial 'C'(um)., Theological miscellany

(f. 3). Diagram in red and green ink (f. 9v). 1 initial in red with penwork decoration in red and blue (f. 23v). Initials in red, brown, or green. Theological miscellany The Benedictine abbey of St. Augustine, Canterbury: inscribed 'Liber

• Portraits of Abraham, Isaac, and Jacob., Theological miscellany

(f. 3). Diagram in red and green ink (f. 9v). 1 initial in red with penwork decoration in red and blue (f. 23v). Initials in red, brown, or green. Theological miscellany The Benedictine abbey of St. Augustine, Canterbury: inscribed 'Liber

• Decorated initial., Theological miscellany

(f. 3). Diagram in red and green ink (f. 9v). 1 initial in red with penwork decoration in red and blue (f. 23v). Initials in red, brown, or green. Theological miscellany The Benedictine abbey of St. Augustine, Canterbury: inscribed 'Liber

• Historiated initial 'F'(actum est) of David playing the harp with two musician on both sides, one playing the violin and another playing the horn, at the beginning of 2 Kings, Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

f. 52v), the preface to Kings (dragons, f. 55v), and 3 Kings (hybrid lion-birds, f. 120v). Smaller initials in red, blue, and green, some with penwork decoration (e.g., ff. 14v, 42, 60v, 70v, 116v, etc.) Bible (Joshua, Judges, Ruth, and

• Miniature of Gregory the Great writing, inspired by the Holy Spirit represented as a dove. Above the frame of the miniature, inscription 'Teodericus depinxit hanc imaginem Gregorium papam'. The miniature is between books 3 and 4 of Gregory the Great's Dialogi., Dialogi

foliate motifs, between books 3 and 4 (f. 69v). 1 half-page drawing in dark brown ink with some red and blue (Deposition from the Cross) in book 2, chapter 24 (f. 33v). 4 large initials, outlined in dark brown ink,

• Detail of a miniature of Gregory the Great writing, inspired by the Holy Spirit represented as a dove. Above the frame of the miniature, inscription 'Teodericus depinxit hanc imaginem Gregorium papam'. The miniature is between books 3 and 4 of Gregory the Great's Dialogi., Dialogi

foliate motifs, between books 3 and 4 (f. 69v). 1 half-page drawing in dark brown ink with some red and blue (Deposition from the Cross) in book 2, chapter 24 (f. 33v). 4 large initials, outlined in dark brown ink,

• Historiated initial 'E'(t) of two men with a book, at the beginning of the Book of Joshua., Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

f. 52v), the preface to Kings (dragons, f. 55v), and 3 Kings (hybrid lion-birds, f. 120v). Smaller initials in red, blue, and green, some with penwork decoration (e.g., ff. 14v, 42, 60v, 70v, 116v, etc.) Bible (Joshua, Judges, Ruth, and

• Detail of an historiated initial 'E'(t factum est) of two men with a book, perhaps Moses giving the book of the law to Joshua, at the beginning of Joshua., Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

f. 52v), the preface to Kings (dragons, f. 55v), and 3 Kings (hybrid lion-birds, f. 120v). Smaller initials in red, blue, and green, some with penwork decoration (e.g., ff. 14v, 42, 60v, 70v, 116v, etc.) Bible (Joshua, Judges, Ruth, and

• Inhabited initial 'T'(andem), at the beginning of the prologue to Joshua., Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

f. 52v), the preface to Kings (dragons, f. 55v), and 3 Kings (hybrid lion-birds, f. 120v). Smaller initials in red, blue, and green, some with penwork decoration (e.g., ff. 14v, 42, 60v, 70v, 116v, etc.) Bible (Joshua, Judges, Ruth, and

• Coloured initials in a text page of the chronicle., Chronicle, AD 1-1135 (ff. 34-61), with additions up to 1266 (ff. 61v-73)

the 13th century (f. 14) Large initial with foliate decoration in yellow and green (f. 34). Rubrics in red and blue. Number of the year in Roman numerals in red. Initials in red and green. Chronicle, AD 1-1135 (ff. 34-61),

• Upper cover of the ivory binding, with scenes from the life of David., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Lower cover of the ivory binding, with the Six Corporal Works of Mercy listed in Matthew 25:35-36., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the upper cover of the ivory binding, with David and the lion., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the upper cover of the ivory binding, with David being anointed by Samuel., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

• Detail of the upper cover of the ivory binding, with David receiving the sword of Goliath from Ahimelech the priest., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine