• Miniature, at the beginning of Book 3 of Livy's Ab Urbe Condita., Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Marginal figures of constellations personified as human figures and Auriga in a chariot with animals., Miscellany, including De institutione arithmetica (ff. 1v-31), Astronomica (ff. 71v-89v). Guido d’Arezzo: Micrologus (ff. 98-104), Regulae rhythmicae (ff. 104-106), Prologus in Antiphonarium (ff. 106-107), Epistola ad Michaelem (ff. 107-109v). Anonymous: ‘Mensura Fistularum’ [Inc. “Fistularum mensuram ut a quibusdam…”] (ff. 109v-110), ‘Mensura Organistri’ [Inc. “Organicam quicumque liram…”] (f. 110), Commentary (ff. 121-151).

faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.

• Decorated initial 'I'(nter) and diagrams., Miscellany, including De institutione arithmetica (ff. 1v-31), Astronomica (ff. 71v-89v). Guido d’Arezzo: Micrologus (ff. 98-104), Regulae rhythmicae (ff. 104-106), Prologus in Antiphonarium (ff. 106-107), Epistola ad Michaelem (ff. 107-109v). Anonymous: ‘Mensura Fistularum’ [Inc. “Fistularum mensuram ut a quibusdam…”] (ff. 109v-110), ‘Mensura Organistri’ [Inc. “Organicam quicumque liram…”] (f. 110), Commentary (ff. 121-151).

faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.

• Marginal drawings of Cancer, Leo, Virgo, Scorpio, and Sagitarius., Miscellany, including De institutione arithmetica (ff. 1v-31), Astronomica (ff. 71v-89v). Guido d’Arezzo: Micrologus (ff. 98-104), Regulae rhythmicae (ff. 104-106), Prologus in Antiphonarium (ff. 106-107), Epistola ad Michaelem (ff. 107-109v). Anonymous: ‘Mensura Fistularum’ [Inc. “Fistularum mensuram ut a quibusdam…”] (ff. 109v-110), ‘Mensura Organistri’ [Inc. “Organicam quicumque liram…”] (f. 110), Commentary (ff. 121-151).

faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.

• Decorated initial 'KL', accompanied by a bar developing foliate extensions with a dragon, at the beginning of August in the Calendar., Kalendarium, cum figuris eclipsum, tabulis, et canonibus

29v). 1 large initial in gold on a red and blue ground (f. 40v). Smaller initials (2 lines) in blue with foliate pen-flourishing in red. Small initials (1 line) in blue with foliate pen-flourishing in red, or in red with

• Diagrams of the eclipse of the moon., Kalendarium, cum figuris eclipsum, tabulis, et canonibus

29v). 1 large initial in gold on a red and blue ground (f. 40v). Smaller initials (2 lines) in blue with foliate pen-flourishing in red. Small initials (1 line) in blue with foliate pen-flourishing in red, or in red with

• Detail of initial 'C'(um) on a gold ground, with a hybrid creature in the bowl of the letter., Homilies for Sundays, with table of contents (vol 1, ff. 2-12)

and blue on a gold groud, with foliate decoration and a human head, extending into a border on two sides with flower and nuts (f. 13, vol. 1). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing,

• Detail of miniature of David praying., Book of Hours, Use of Paris

Catherine, and perhaps elsewhere. Large puzzle initials in purple and blue with red and blue penwork decoration and pen-flourishing. Small initials alternately blue with red penwork or purple with blue penwork decoration. Zig-zag line-fillers in the litany. Book of Hours,

• Historiated illuminated initial 'T'(hedosius) of the Virgin holding the Child blessing a kneeling monk with a three-sided border, at the beginning of Sigibert's Chronographia., De viris illustribus, extract; Chronographia, with prologue; Jerome's preface to the translation of Eusebius

partial borders with initials in blue and pink with coloured foliated decoration and/or hybrid creatures on a gold ground (ff. 9, 54, 58). 2 large puzzle initials in red and blue with red and blue penword decoration of leaves and

• Puzzle initial 'P'(ost), at the beginning of Johannes Andrea's Glosses on the Decretals., Novella in Sextum (book 4)

Decretals. 1 large puzzle initial in red and blue (f. 1). Small initials alternately in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Novella in Sextum (book 4) Unidentified owner: inscribed

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Detail of a miniature of, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse