the litany (f. 240). Large initials in gold on red and blue grounds. Small initials (2 lines) in blue with red foliate pen-flourishing. Small initials in plain red or blue. Decorated catchwords. Breviary, Use of Sarum, including a Psalter with
the litany (f. 240). Large initials in gold on red and blue grounds. Small initials (2 lines) in blue with red foliate pen-flourishing. Small initials in plain red or blue. Decorated catchwords. Breviary, Use of Sarum, including a Psalter with
the litany (f. 240). Large initials in gold on red and blue grounds. Small initials (2 lines) in blue with red foliate pen-flourishing. Small initials in plain red or blue. Decorated catchwords. Breviary, Use of Sarum, including a Psalter with
the litany (f. 240). Large initials in gold on red and blue grounds. Small initials (2 lines) in blue with red foliate pen-flourishing. Small initials in plain red or blue. Decorated catchwords. Breviary, Use of Sarum, including a Psalter with
5 large puzzle initials in red and blue with pen-flourishing in the same colours (ff. 35v, 46v, 51, 58v, 61v). Display initials with penwork decoration (f. 2). Coloured initials in alternating red or blue. Roman de Tristan in prose (index
into the margins, in colours. Small initials in plain red or blue. Breviary, Ambrosian use Colophon, stating that the the volume was written by Antoni degli Uberti, son of the late Messer Antonio degli Uberti of Margno in Valsasina, for
into the margins, in colours. Small initials in plain red or blue. Breviary, Ambrosian use Colophon, stating that the the volume was written by Antoni degli Uberti, son of the late Messer Antonio degli Uberti of Margno in Valsasina, for
Nero C. 12 is another cartulary of the hospital of Burton Lazars made for Walter Lynton in 1404. Initials in blue with red pen-flourishing, some large, some small. Cartulary made for Walter Lynton (index Walter de Lynton), master of the
gold on a blue panel and full border with foliate decoration, flowers, winged busts, 2 cameo medallions and one with a tree and the motto 'Quid bene acta iuvant' (f. 2). Initial in gold on a blue and red panel
some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous
some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous
some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous
some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous
blue and red with pen-flourishing in the same colours extending into the margin to form a three-sided border (ff. 1, 79 and 119 (with purple)). Numerous initials in blue with red pen-flourishing including foliate motifs. Paraphs in red or
Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:
Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:
with books, and one with a sceptre (ff. 1, 9v, 22v, 40v, 56v). Initials in red with blue or purple pen-flourishing, or in blue with red pen-flourishing. De Consolatione Philosophiae (index The consolation of Philosophy) Inscribed 'Questo lib[r]o è [end
All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a
All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a
All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a