• Illuminated initials., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated initials., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Text page., The Siege of Thebes

gold (ff. 18, 43). Small initials in gold on blue and red grounds with foliate extensions into the margins. Small initials in gold with blue or purple pen-flourishing or in blue with red pen-flourishing. Capital letters on f. 34v at

• Detail of decorated initial., Compendium juris canonici

puzzle initial in red and brown with blue penwork decoration (f. 1). 2 large puzzle initials in red and blue or brown (ff. 53, 70). Large and small initials in plain red, blue (or faint brown), a few with reserved

• Text page., The Siege of Thebes

gold (ff. 18, 43). Small initials in gold on blue and red grounds with foliate extensions into the margins. Small initials in gold with blue or purple pen-flourishing or in blue with red pen-flourishing. Capital letters on f. 34v at

• Miniature of the Visitation, with a full border., Book of Hours

initials in gold on rose and blue grounds with penwork decoration in blue and foliate extensions. Initials in gold with dark blue pen-flourishing and in blue with red pen-flourishing. Line-fillers in gold and blue. Book of Hours Thomas Butler, 7th

• Detail of a miniature of Christ raising Lazarus from the dead., Book of Hours

initials in gold on rose and blue grounds with penwork decoration in blue and foliate extensions. Initials in gold with dark blue pen-flourishing and in blue with red pen-flourishing. Line-fillers in gold and blue. Book of Hours Thomas Butler, 7th

• Puzzle initial 'I'(n the bigi[n]nyng) with pen-flourishing including foliate motifs extending into the margins at the beginning of the Harmony of the Gospels attributed to 'Clement of Lantonye'., Vol. 1: Oon of Foure (English translation of the Harmony of the Gospels) (index Gospel Harmony), Vol. 2: Wycliffite New Testament, in the later version, including the Pauline Epistles, Acts of the Apostles, Book of Revelation, etc.

210, 211, etc. ). Initials in blue with red pen-flourishing including foliate motifs. Smaller coloured initials in red or blue. Capitals marked with yellow. Line-fillers in red and blue. Paraphs in red or blue. Some catchwords written on scrolls (e.g.,

• Decorated border with foliate decoration, flowers, winged busts, 2 cameo medallions, and one with a tree and the motto 'Quid bene acta iuvant', title 'SONETTI' in a cartouche, initial in gold on a blue panel at the beginning of the text., Opera

gold on a blue panel and full border with foliate decoration, flowers, winged busts, 2 cameo medallions and one with a tree and the motto 'Quid bene acta iuvant' (f. 2). Initial in gold on a blue and red panel

• Full page miniature in 9 compartments of the Coronation of the Virgin, the Assumption, the Annunciation, the Ascension, the Agony in the Garden, the Resurection, the Visitation, the Nativity, with the arms of Butler Family., Book of Hours

initials in gold on rose and blue grounds with penwork decoration in blue and foliate extensions. Initials in gold with dark blue pen-flourishing and in blue with red pen-flourishing. Line-fillers in gold and blue. Book of Hours Thomas Butler, 7th

• Miniature of David in prayer at the beginning of the Penitential Psalms., Book of Hours, Use of Rennes, imperfect

in blue and gold with red and blue penwork decoration, at the Obsecro te (f. 196). Initials in colours and gold. Initials in blue with red pen-flourishing or in gold with blue pen-flourishing. Flower-shaped line-fillers, in red or blue ink,

• Bar border and initial 'W'(han) with foliate and spray decoration at the beginning of the Prologue of the Canterbury Tales., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Calendar pages with illuminated initials 'KL' and foliate borders., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

and gold with partial borders, in the calendar (ff. 1-6v). initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, line-fillers in gold and blue. Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of

• White vine initial 'C'(um)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• White vine initial 'A'(anima)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Detail of a bas-de-page scene of devils in stocks, while a queen and an angel look on., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Text with diagrams for numerical divination, and fifteen magical characters., Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of each text or major division. Paraphs in blue (ff. 32v-95, 144-145) and red or blue (ff. 108v-114). Rubrics in red (ff.

• Illuminated initial 'C'(lementissime) with a partial border., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

and gold with partial borders, in the calendar (ff. 1-6v). initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, line-fillers in gold and blue. Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of

• Detail of an historiated initial 'C'(um) of David playing the harp with two angels, at the beginning of Psalm 4., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

and gold with partial borders, in the calendar (ff. 1-6v). initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, line-fillers in gold and blue. Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of

• Two historiated initials 'D'(eus) and 'E'(xaudi) of a king's head (David?), at the beginning of Psalms 53 and 54., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

and gold with partial borders, in the calendar (ff. 1-6v). initials in gold with blue pen-flourishing, or in blue with red pen-flourishing, line-fillers in gold and blue. Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of