• Decorated foliate initial 'G'(losa), at the beginning of Bartolus de Saxoferrato's In secundam partem digesti veteris., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Decorated initials, in Bartolus de Saxoferrato's In secundam partem digesti veteris., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Detail of decorated initial., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum) and three-sided border with an Agnus dei and heraldic arms, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum), at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with an Agnus dei, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with the arms of the Rotenhan family of Bamberg, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• null, Consilia medica and other texts

blue with pen-flourishing in red, at the beginning of the texts (ff. 7, 31v, 40, 43, 101, 156, 159v, 161, 162v, 166v, 172, 180v, 184, 189v, 211v, 218, 223v, 229v, 235, 235v, 263). Paraph marks in plain red or

• null, Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the

• null, Iliad, each book except book I preceded by one or two monostich summaries; prose hypothesis at the start of book II (f. 13); scholia relating to book I 331-341 (ff. 7v-8).

Large gold initial with green vine-stems on blue and red grounds (f. 2). Large red or blue initials with penwork decoration. Small red simple initials. Iliad, each book except book I preceded by one or two monostich summaries; prose hypothesis

• Puzzle initial 'A' with pen-flourishing, at the beginning of the Register book of the Infirmary of the Abbey of St Edmundsbury called Ikworth., Register book of the Infirmary of the abbey of St Edmund, Bury

Abbey of St Edmundsbury called Ikworth. 1 large puzzle initial in red and blue with foliate pen-flourishing in red (f. 4). Large and small initials in blue with red foliate pen-flourishing. Numerous spaces for initials. Register book of the Infirmary

• null, Register book of the Infirmary of the abbey of St Edmund, Bury

1 large puzzle initial in red and blue with foliate pen-flourishing in red (f. 4). Large and small initials in blue with red foliate pen-flourishing. Numerous spaces for initials. Register book of the Infirmary of the abbey of St Edmund,

• Initial 'A'(ristoteles) with pen-flourishing, at the beginning of Aristoteles's De generatione animalium., Consilia medica and other texts

blue with pen-flourishing in red, at the beginning of the texts (ff. 7, 31v, 40, 43, 101, 156, 159v, 161, 162v, 166v, 172, 180v, 184, 189v, 211v, 218, 223v, 229v, 235, 235v, 263). Paraph marks in plain red or

• Initial with reserved designs,, Scala paradisi, etc.

Initial with reserved designs, 2 large initials in blue with reserved designs (ff. 2, 38v). Small initials in plain red or blue, some with reserved designs. Hole in the parchment encircled in red (f. 8). Scala paradisi, etc. Colophon 'Finito

• Miniature of the Crucifixion before the beginning of the Psalms., Psalter

in gold on red and blue grounds, with partial foliate borders, for all the other Psalms. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line fillers decorated in gold and blue. Capital letters at the

• Drawing of a battle between mounted knights., Chanson d'Aspremont, imperfect

45 pen drawings and fragments of 2 more, with a wash of green, and often red, or sometimes yellow and/or blue, often of knights on horseback in combat. Small simple initials in red or green. Chanson d'Aspremont, imperfect William Petty