• Miniature of the Crucifixion., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Miniature of the Harrowing of Hell., Sept articles de la foy

border), 14v, 16, 21, 26). Small initials in gold with black penwork decoration or in blue with red penwork decoration. Line-fillers in red and blue. Capitals marked in yellow. Sept articles de la foy L. Galet: inscribed, 'Explicit le codicile

• Drawing of a winged figure, drawing a bow, surrounded by fiends., Voyage d'outre mer in English translation; Sir Gowghter; Saint Patrick's Purgatory; Vision of Tondal (imperfect)

116). 2 initials in colours (f. 132). Initials in green with brown and green pen-flourishing, in blue or in brown with brown and blue pen-flourishing (ff. 4-115v). Initials in red (ff. 150-184v). Voyage d'outre mer in English translation; Sir Gowghter;

• Text page., Voyage d'outre mer in English translation; Sir Gowghter; Saint Patrick's Purgatory; Vision of Tondal (imperfect)

116). 2 initials in colours (f. 132). Initials in green with brown and green pen-flourishing, in blue or in brown with brown and blue pen-flourishing (ff. 4-115v). Initials in red (ff. 150-184v). Voyage d'outre mer in English translation; Sir Gowghter;

• Drawing of Patrick as a bishop surrounded by souls in Purgatory, preceding the Saint Patrick's Purgatory., Voyage d'outre mer in English translation; Sir Gowghter; Saint Patrick's Purgatory; Vision of Tondal (imperfect)

116). 2 initials in colours (f. 132). Initials in green with brown and green pen-flourishing, in blue or in brown with brown and blue pen-flourishing (ff. 4-115v). Initials in red (ff. 150-184v). Voyage d'outre mer in English translation; Sir Gowghter;

• null, Voyage d'outre mer in English translation; Sir Gowghter; Saint Patrick's Purgatory; Vision of Tondal (imperfect)

116). 2 initials in colours (f. 132). Initials in green with brown and green pen-flourishing, in blue or in brown with brown and blue pen-flourishing (ff. 4-115v). Initials in red (ff. 150-184v). Voyage d'outre mer in English translation; Sir Gowghter;

• Miniature of David penitent, praying to the Holy Trinity within a walled garden, with his harp and crown on the ground beside him, with a large historiated initial 'D'(omine) containing David in an open arm gesture with his harp behind, and biblical scenes in quatrefoils in the margins, with a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of a miniature of the Trinity, in which the enthroned Almighty holds the body of the crucified Christ who bears the nail wounds in his hands and feet, wears a crown of thorns and touches his chest wound from which blood pours, whilst the Holy Spirit looks upon Christ from his shoulder, surrounded by an aura of red containing the heads and wings of angels praying., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Coloured drawings, of Lot's wife, the Ark, and Egyptian soldiers being drowned in the Red Sea., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Drawing of a dragon, with seven heads in its tail. In Joachim's thought, the seven heads correspond to Herod, Nero, Constantinus, Mohometh, Melsemothus, Saladin, the Antichrist, with Gog, the last Antichrist., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Drawing of Adam and of sacrifices., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Full knotwork border with a decorated initial 'F'(acturus), and arms in the shape of a bisected axe head, with a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side., Ab urbe condita (index De gestis romanorum; Historia romana)

a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side. f. 152 is a ruled

• Miniature of the Crucifixion, with Christ at the centre and two others, one on each side, crucified alongside him, with a skull and bones at the bottom of the Holy cross. A large historiated initial 'D'(omine) shows Christ being put on the cross and five scenes in the margins show scenes of Christ's Passion, with a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Text page, with illuminated initials and a full foliate border with three scenes of a demon setting fire to shepherds and their flock, a demon flying over a battle scene containing two camels, and a demon and wind causing the collapse of several buildings over its inhabitants., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Miniature of David penitent, praying to the Holy Trinity within a walled garden, with his harp and crown on the ground beside him, with a large historiated initial 'D'(omine) containing David in an open arm gesture with his harp behind, and biblical scenes in quatrefoils in the margins, with a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Drawings, including of king Saul, the priest Eli, who falls dead after being told that his two sons had been killed and the ark of God taken by the Philistines (1 Samuel 4:17-18); and the destruction of the city of Jerusalem., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Miniatures of the four Evangelists writing their Gospels, accompanied by their symbols, with a foliate border., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Miniature of the Annunciation, decorated initial 'D'(omine) and foliate borders including the Virgin spinning wool and an eagle, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Miniature of the Nativity., Book of Hours, Use of Sarum

84v, 104v). Large decorated initials with foliate extensions into the margins, in grisaille. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Book of Hours, Use of Sarum It has been suggested that the manuscript

• Text pages with marginal commentary and illuminated initial 'S'(ic), at the beginning of Book VI: 'Sic factur lacrimans, classique immittit habenas'., Aeneis (index Aeneid) , with a verse preface (ff. 1-201); Extract from Servius on Aeneis 6 (f. 202)

I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,