• Miniature of the Resurrection with the instruments of the Passion., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Damaged miniature., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• null, Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated initials and border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Decorated initial 'M'(agnus) with flowers., Confessions

or blue, with red penwork decoration in the bowl with yellow and green infill, on gold grounds (ff. 2, 11, 99). 2 large puzzle initials in gold and blue with red pen-flourishing (ff. 31, 58v). 6 smaller initials in blue,

• Large initial 'B'(eatus) with knotwork and foliate motifs, animal heads, and masks., Commentary on the Psalms

on a blue and red ground (f. 2v). 3 initials in green, blue and red, in blue and green or in red and blue, two with penwork decoration (ff. 48v, 90v, 145). Numerous initials in red, green or blue, one

• Decorated initial 'D'(eus) enclosing a star with partial ivy border at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Text page., Canterbury Tales

Text page. ff. 56-63v, and 271 are 19th-century replacements. 1 large initial in blue with red foliate pen-flourishing (f. 1). Small initials in blue with red pen-flourishing. Canterbury Tales Edward Haistwell of the Middle Temple, by 1718: his armorial book-plate

• Text page., Canterbury Tales

Text page. ff. 56-63v, and 271 are 19th-century replacements. 1 large initial in blue with red foliate pen-flourishing (f. 1). Small initials in blue with red pen-flourishing. Canterbury Tales Edward Haistwell of the Middle Temple, by 1718: his armorial book-plate

• Text page., Canterbury Tales

Text page. ff. 56-63v, and 271 are 19th-century replacements. 1 large initial in blue with red foliate pen-flourishing (f. 1). Small initials in blue with red pen-flourishing. Canterbury Tales Edward Haistwell of the Middle Temple, by 1718: his armorial book-plate

• null, Canterbury Tales

ff. 56-63v, and 271 are 19th-century replacements. 1 large initial in blue with red foliate pen-flourishing (f. 1). Small initials in blue with red pen-flourishing. Canterbury Tales Edward Haistwell of the Middle Temple, by 1718: his armorial book-plate with date

• Text page and decorated catchword., Canterbury Tales

page and decorated catchword. ff. 56-63v, and 271 are 19th-century replacements. 1 large initial in blue with red foliate pen-flourishing (f. 1). Small initials in blue with red pen-flourishing. Canterbury Tales Edward Haistwell of the Middle Temple, by 1718: his

• null, Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle)

2 large initials in colours and gold (f. 2v). Large initials in blue with red penwork decoration. Names in circles or squares of green, yellow, red or blue, with green, yellow or red lines connecting them. Diagrams. Genealogical Chronicle of

• Pen-flourished initials in blue. This colour combination is typical of English manuscripts: on the Continent one would usually find blue initials alternating with red ones, each with penwork flourishing in the opposite colour., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• null, Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), from 1 Edward III to 3 Henry V (c.1387 - 1422)

three-sided foliate border, in colours and gold (ff. 1, 100v, 166v, 202). Smaller initials in blue with red pen-flourishing. Paraph marks in plain red or blue. Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), from 1 Edward III

• null, Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle)

2 large initials in colours and gold (f. 2v). Large initials in blue with red penwork decoration. Names in circles or squares of green, yellow, red or blue, with green, yellow or red lines connecting them. Diagrams. Genealogical Chronicle of

• Decorated initial 'C'(irca)., Treatises on the Virtues and Vices, on penance, contrition, and confession, imperfect at the beginning and at the end

Decorated initial 'C'(irca). Horizontal catchwords.ff. 1, 100 are damaged by mold and damp. Initials in blue with red pen-flourishing. Paraphs in red or blue. Treatises on the Virtues and Vices, on penance, contrition, and confession, imperfect at the beginning and

• Partial border (the iniital excised) with hybrid bird-headed figure holding a shield and club; a bird(?) in the lower margin., Comedies, preceded by prologues and arguments: Andria (ff. 1v-21v), Eunuchus (ff. 22-45v), Heauton timorumenos (ff. 46-68v), Adelphoe (ff. 68v-89), Hecyra (ff. 89-108), Phormio (ff. 108-130)

at the beginning of the first comedy. Large initials in blue with flourishing predominantly in red, or vice versa, to each subsequent comedy. Small initials alternately plain red or blue. Comedies, preceded by prologues and arguments: Andria (ff. 1v-21v), Eunuchus

• Illuminated intial 'T'(ityre) with flowers and small gold balls extending into the margin, at the beginning of Virgil's Eclogues., Bucolica (index Bucolics, Eclogues)(ff. 1-15), Georgica (index Georgics)(ff. 15v-53v), Aeneis (index Aeneid) (ff. 55v-228v)

1, 55v). Large initials in red with purple pen-flourishing or in blue with red pen-flourishing, with green and yellow infill. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Square capitals used as display script. Bucolica

• Initial 'Q'(uintus) with pen-flourishing, at the beginning of Cicero's De amicitia., De amicitia

with pen-flourishing, at the beginning of Cicero's De amicitia. 1 large initial, in blue with infill and flourishing in red (f. 1). Paraphs in red or blue. De amicitia Unidentified reader, 16th century: at the end of the text is