• Decorated initial 'Q'(ui) and white vine decoration in the border enclosing defaced arms, probably that of the Sassetti family, at the beginning of Ovid's Amores., Amores

on a blue panel at the beginning of each book (ff. 2, 17, 34v (initial enclosing a smaller initial)). White vine marginal decoration enclosing a defaced coat of arms (f. 2). Coloured initials in alternating red or blue. Amores Probably

• Puzzle initial 'V'(alerii), and fifteenth-century ownership inscription and pressmark of the Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier., Commentarius in Valerium Maximum; Facta et dicta memorabilia

Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier. 1 large puzzle initial in blue and red with red pen-flourishing (f. 1). 9 smaller blue and red puzzle initials with red pen-flourishing (ff. 2, 54v, 95v, 126v, 153, 183,

• Illuminated initial 'S'(i)., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)(ff. 1-79); Orationes in Catilinam (ff. 80-97)

outlined in black, on red and blue grounds ornamented with white filigree decoration (ff. 1, 10, 15, 30v, 54v, 80, 80v, 85 (x 2), 89, 93v). Rubrics in red. Paraphs in red or blue. Orationes in C. Verrem (index Orationes

• Decorated initial 'D'(eus) with acanthus leaves at the beginning of Terce of the Virgin., Book of Hours, Use of Sarum

ivy sprigs. Numerous gold initials with black or brown penwork decoration and blue initials with red penwork decoration. Cadels. Some capitals marked with red. Line-fillers in gold and blue ink. Book of Hours, Use of Sarum Various inscriptions in different

• Miniature of the Crucifixion, and full foliate border, facing the historiated initial 'T'(e) with the Instruments of the Passion of Christ, at the beginning of the 'Te igitur' in a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Calendar page and historiated initial 'A'(d) with David, at the beginning of a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Historiated initial 'R'(esurrexi) with the Resurrection of Christ, in a Missal., Missal, Use of Rome

196v, 201, 203v, 206v, 227, 241v). 5 smaller puzzle initials in red and blue (ff. 193, 246v, 249v, 251, 256). Small initials in plain red or blue. Capital letters highlighted in yellow. Missal, Use of Rome The calendar includes Bernardinus,

• Foliate initial and border., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Decorated initial with flowers, and border including mottos., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Decorated initial with flowers, and border including mottos., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Decorated line-fillers., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Miniature of Cicero debating the nature of friendship and border with mottos., Le livre des quatre vertus (De quatuor virtutibus) (ff. 1-28v); Le livre de vieillesse (De senectute) (ff. 30-129v) and Le livre de amitié (De amicitia) (ff. 130-192v); Letter of Bernard of Clairvaux (ff. 193-195v); Hymn to the Virgin (ff. 196-199)

in colours and gold. Small initials in blue on red grounds, decorated with golden acanthus, with partial foliate borders, in colours and gold. Line fillers decorated with coloured flowers on red or blue grounds, at the beginning including the letters

• Illuminated initial 'U'(rbis) and border, on the first page of the text., Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff. 180-181)

by a three-sided border (f. 2). Large initials in gold on grounds of red and blue. Small initials alternately red with blue flourishing, or blue with red flourishing. Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff.

• null, Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff. 180-181)

by a three-sided border (f. 2). Large initials in gold on grounds of red and blue. Small initials alternately red with blue flourishing, or blue with red flourishing. Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff.

• null, Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff. 180-181)

by a three-sided border (f. 2). Large initials in gold on grounds of red and blue. Small initials alternately red with blue flourishing, or blue with red flourishing. Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff.

• Decorated initial 'C'(haos) with white vine decoration, at the beginning of the text by Lactantius, Ovidii Metamorphoseon fabularum narratio, and the arms of the Donati family of Venice with an animal head above the shield., Ovidii Metamorphoseon fabularum narratio, and other mythological texts

Venice with an animal head above the shield. Large coloured initials with white vine scroll decoration. Small simple red or blue initials. The arms of the Donati family of Venice surmounted by a lion's head (f. 1). Guide letters. Ovidii

• Musical notation., Medical miscellany, including the medical rules according to the homo signorum (ff. 35-36); a recipe for gingerbread

the True Physition'.Flyleaves of musical notation on red 4-line staves with large initials in blue with red penwork decoration and in brown with penwork decoration (ff. 2r-v, 127r-v). Large and small simple initials in red or brown, one with a

• Coloured drawings, of Lot's wife, the Ark, and Egyptian soldiers being drowned in the Red Sea., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Drawing of a dragon, with seven heads in its tail. In Joachim's thought, the seven heads correspond to Herod, Nero, Constantinus, Mohometh, Melsemothus, Saladin, the Antichrist, with Gog, the last Antichrist., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Drawing of Adam and of sacrifices., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi