• Detail of an illuminated initial 'H'(ere) with the royal arms of England supported by boars and surmounted by a crown., De re militari (the Book of Vegecye of Dedes of Knyghthode)

1, 26, 49, 98). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white and foliate extenders. Paraphs in gold with dark blue pen-flourishing, or in blue with red pen-flourishing. De re militari (the Book of

• Detail of a miniature of the griffin of Salisbury in the lower margin of the folio, at the beginning of book 1., De re militari (the Book of Vegecye of Dedes of Knyghthode)

1, 26, 49, 98). 'Champ' initials in gold on blue and rose grounds with penwork decoration in white and foliate extenders. Paraphs in gold with dark blue pen-flourishing, or in blue with red pen-flourishing. De re militari (the Book of

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Print with the Virgin nursing the Child., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Pages painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Decorated initial., Commentary on the Ethics of Aristotle

Musical notation: square notation on four-line red staves. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing, with decorated extensions in red and blue. Commentary on the Ethics of Aristotle f. 2: from the same manuscript

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Puzzle initial., Les Ethiques d'Aristote

by a large initial in gold on a red and blue ground (f. 1). 2 large puzzle initials in red and blue (ff. 31, 51). 7 large initials in plain blue (ff. 88, 119, 158, 183, 219, 249, 282). Small

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Opening of Martial's Liber de Spectaculis, with the title in the square capitals attributed to Bartolomeo Sanvito, and the text to Pompino Leto, with the illuminated white vine-stem initial 'B'(arbara)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Illuminated initial 'Q'(uae) and lower border with white vine-stem decoration, green parrots, and putti holding a wreath (left blank, perhaps for the addition of a coat of arms)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Decorated initials in the cartulary of the Cistercian abbey of Pipewell, Northamptonshire., Cartulary of Pipewell Abbey, Northamptonshire

which it is bound.Partly misbound. Large initials in blue , most with red penwork decoration, and in red, most with blue penwork decoration (ff. 8-16v; 46-61; 91-98; 106-113; 118-131v). Large initials in blue (ff. 17-19; 69v). Large initials in red,

• Decorated initial 'C'(onverte), and trompe l'oeil border, at the beginning of Compline in the Hours of the Virgin., Book of Hours (begins imperfectly)

50v, 54v, 61, 67v, 74, 82v, 90v, 147). 1 large blue initial, with reserved designs, with red pen-flourishing, for major divison (f. 20v). 5 smaller initials in red or blue, (with reserved designs), with red pen-flourishing, for minor divisions (ff.

• Miniature of the Annunciation, decorated initial 'D'(omine), and full foliate borders, at the beginning of the Hours of the Virigin., Book of Hours, Use of Toul

52v, 55, 58, 60v, 65v, 71, 86). Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Smaller and small initials in plain red or blue. Book of Hours, Use of Toul Intended probably for a woman

• Detail of illuminated initial., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue