• Detail of an historiated initial 'D'(omine) of the Nativity, and full border with gems, inset miniatures of deer, Ezechiel, Solomon, and other figures, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of putti holding the arms of Agostino Biliotti, Gonfalonier of Justice in Florence, in the lower margin at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of an historiated initial 'D'(ilexi) of Christ raising Lazarus from the dead, at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of an historiated initial 'D'(omine) with King David playing his harp, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of a scribal colophon, reading: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV'., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Miniature of Childebert and Clothaire before Saragossa meeting a bishop of Saragossa, with the bishop and clergy bringing out relics of Vincent, with a full border containing the royal arms of England surmounted by a crowned lion, a dragon holding a banner with the Yorkist motto 'Dieu et mon droit', and two red roses of Lancaster; and an illuminated initial 'L'(e roy) with a portcullis, the badge of Beauforts, used by Henry VII., Chroniques de France ou de Saint Denis (from Priam of Troy to 768)

214, 222). Initials in gold on blue and rose grounds with penwork decoration in white, with partial borders or decoration between columns (ff. 1-6v). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Spaces left

• Historiated initial 'In' with intwined figures., fragments from the end of Joshua and the beginning of Judges; and the end of Judges to the beginning of Ruth

on four-line red staves. 2 large historiated initials in black ink (ff. 76v, 77v). Large letters and initials in red, blue, yellow or green. Another smaller fragment of this manuscript is Sloane 1086, f. 100 (Deut. 34:1-5 and part of

• Miniature of the marriage of Henry V and Catharine of Valois, inscribed with their initials, 'K de France' and 'H. Le Einglieche', with a full border containing the royal arms of England supported by a red dragon and a white hound, in the lower margin, and alternately a portcullis badge on a blue ground semé of 'S', and a Tudor rose., Chroniques de France ou de Saint Denis (from 1422 to 1460)

supported by a red dragon and a white hound, in the lower margin, and alternately a portcullis badge on a blue ground semé of 'S', and a Tudor rose. Sixth of six volumes (Royal 20 E I-VI).Catchwords; guide letters for

• Miniature of Jean, duke of Berry, receiving the book from the translator, Laurent de Premierfait, with a full border containing the royal arms of England surrounded by the Garter with the motto, 'Honny soit qui mal y pense', and surmounted by a crowned helm with a mantling in Edward IV's colours of red and blue, with two shields bearing the same arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke of York, two banners held by angels bearing the royal arms of England, and a Yorkist badge of white ~rose-en-soleil~ with the motto 'Dieu est mon droit'; and an illuminated initial 'L'(e propre) with a dragon, at the beginning of the prologue., Decameron (Les cent nouvelles)

the prologue (f. 1). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in blue, gold or in gold and blue. Decameron (Les cent nouvelles) Edward IV (b. 1442, d. 1483), king of England

• Puzzle initials 'E'(x ordine), 'D'(e excellentia) and 'I'(ncipit) with penwork decoration forming a border with human faces, animals and a blessing bishop, at the beginning of the prologues to De Concordia Evangelistarum of Zacharias of Besançon., De Concordia Evangelistarum (or Explanatio in Unum ex Quatuor)

red and blue with red and blue pen-flourishing, at the beginning of books (ff. 18v, 57v, 101v, 166v), and small puzzle initials, at the beginning of chapters. Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some

• Miniature of the Birth of the Virgin with an inscription on the wall 'Joy sans fin', and of the Annunciation to Joachim and the meeting of Joachim and Anna at the Golden Gate, with a full border containing the royal arms of England surrounded by the Garter with the motto 'Honny soit qui mal y pense', surmounted by a crowned helm with a mantling in Edward VI's colours of red and blue, and the Yorkist badge of a white ~rose-en-soleil~ with the motto 'Dieu est mon droit', and an illuminated initial 'C'(ombien) with the white rose of the York family, at the beginning of the prologue to book 2., Fleur des histoires, books 2-3

an initial in colours (f. 175). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Fleur des histoires, books 2-3 Edward IV (b. 1442, d. 1483), king of England and

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or