• Pages painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Detail of a miniature of a battle at the walls of Troy., Le recoeil des histoires de Troyes (Le livre nomme Hercules)

332v, 339v, 347, 349, 352, 361, 364, 367v, 369v, 372v). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Le recoeil des histoires de Troyes (Le

• Detail of a miniature of Ulysses' dream., Le recoeil des histoires de Troyes (Le livre nomme Hercules)

332v, 339v, 347, 349, 352, 361, 364, 367v, 369v, 372v). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Le recoeil des histoires de Troyes (Le

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Miniature of a winged horse (Pegasus) with a facted initial 'D'(ivitias), epigraphic capitals, and two shields in the lower margin: one of two crossed sceptres with fleur-de-lis terminals on a blue ground, the other of a tower on a white ground., Works

sceptres with fleur-de-lis terminals on a blue ground, the other of a tower on a white ground. Miniature in colours of a winged horse (Pegasus), with a damaged faceted initial in yellow and blue, epigraphic capitals in alternating colours and

• Decorated table of contents; Inhabited initial 'I'(nvestigatam), and a partial border including medaillons, and heraldic arms supported by putti in the lower margin, at the beginning of Boethius's De Sancta Trinitate., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Decorated initial 'M'(aiores), at the beginning of Boethius's super Cicero's Topica., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of illuminated title page., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of illuminated initial and border., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of Medici arms., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of illuminated initial., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Detail of decorated initial. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Decorated initial 'C'(onverte), and trompe l'oeil border, at the beginning of Compline in the Hours of the Virgin., Book of Hours (begins imperfectly)

50v, 54v, 61, 67v, 74, 82v, 90v, 147). 1 large blue initial, with reserved designs, with red pen-flourishing, for major divison (f. 20v). 5 smaller initials in red or blue, (with reserved designs), with red pen-flourishing, for minor divisions (ff.

• Detail of text and diagram., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater nosters, five Aves, and a Creed afore such a figure are granted 32,755 years of pardon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Decorated initial 'A'(s) with pen-flourishing., Poems, imperfect

probably original.Catchwords written horizontally.For a more detailed list of contents, see ~Catalogue~ 1808. Initials in blue with red pen-flourishing including floral motifs. Coloured initials in blue. Paraphs in red. Poems, imperfect Probably written by John Multon, stationer (his will of

• Detail of added marginal annotation (in the hand of Humfrey Wanley?)., Poems, imperfect

probably original.Catchwords written horizontally.For a more detailed list of contents, see ~Catalogue~ 1808. Initials in blue with red pen-flourishing including floral motifs. Coloured initials in blue. Paraphs in red. Poems, imperfect Probably written by John Multon, stationer (his will of