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f. [161] with later annotations (see Provenance). Large puzzle initial in red and blue with pen-flourishing in red including foliate motifs (f. 145v). Smaller initials in blue with red pen-flourishing including foliate motifs. Capitals marked in red. Homilies on Matthew
contemporary professional hands, suffrages including small initials in plain red and blue (ff. 117v-120v) and the prayer O intemerata (ff. 121-123v) with a puzzle initial in red and blue at the beginning. 12 full-page miniatures in golden frames on dark
contemporary professional hands, suffrages including small initials in plain red and blue (ff. 117v-120v) and the prayer O intemerata (ff. 121-123v) with a puzzle initial in red and blue at the beginning. 12 full-page miniatures in golden frames on dark
de la foi. The leaves are misbound and the 1843 catalogue describes a blue morocco binding, which suggests that the binding pre-dates the volume's arrival at the British Museum; it may therefore date from shortly before the 1843 sale. 8
infernum viventes'.Catchwords and bifolium signatures. Some pointing hands in the margins, sometimes with annotations (e.g., f. 265). 1 initial in blue on gold ground, with a red rose, and a full border with red and white Tudor roses, acanthus leaves
with red and white roses, at the beginning of the text (f. 2v). Initials in rose and gold, or in blue and gold. The Master of Game Henry VII (b. 1457, d. 1509), king of England and lord of Ireland:
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
with roses and portcullises alternately placed, in colours and gold (ff. 3, 50). Small initials in gold on red and blue grounds. Indenture between Lady Margaret Beaufort, countess of Richmond, and John Islip, abbot of Westminster abbey ? Lady Margaret
1 unfoliated, ruled parchment leaf after f. 42.f. 43 is a ruled parchment leaf. Plain initials in blue or red, some large, some small. Captials marked in yellow. Rubrics in red. Order of baptism and rites for the sick The
and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and green with a light brown wash and figures (f. 4v). 2 brown