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including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of
including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of
with full border with acanthus leaves, flowers, fruits and gold leaves on unpainted ground, decorated initial 'U'(nde) in gold and blue, an original 15th-century initial 'D'(ux) was cut-out from the original folio and pasted onto the present folio. Les Fais
border (f. 12). Initials and paraphs in colours on brown grounds with penwork decoration in gold or/and white. Line-fillers in blue, brown and gold or white. Chroniques de France ou de Saint Denis (from 1380 to 1422) Thomas Thwaytes (d.
with flowers, acanthus, a dog and a dragon (ff. 19, 52). Initials in gold with black penwork decoration or in blue with red penwork decoration. Capitals highlighted in yellow. Rubrics in purple ink. Quaestiones de observantia quadragesimali (index Matters concerning
with flowers, acanthus, a dog and a dragon (ff. 19, 52). Initials in gold with black penwork decoration or in blue with red penwork decoration. Capitals highlighted in yellow. Rubrics in purple ink. Quaestiones de observantia quadragesimali (index Matters concerning
descenders and catchwords decorated with cadels in brown ink with a yellow wash (e. g., f. 151v). Line-fillers in gold, blue and red. Les Fais et les Dis des Romains et de autres gens (index Memorabilia, index Facta et Dicta
descenders and catchwords decorated with cadels in brown ink with a yellow wash (e. g., f. 151v). Line-fillers in gold, blue and red. Les Fais et les Dis des Romains et de autres gens (index Memorabilia, index Facta et Dicta
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in