• Historiated initial 'A'(vous) of Henry VII receiving the book from the writer, with a partial trompe l'oeil border, including flowers and a bear., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Miniature of an archer and a carter as models for a prince, with men with crossbows shooting at butts, sycophants flattering a king, and a wagoner driving a cart, with the knight kneeling in front of the lady Imagination, with a full trompe l'oeil border., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Detail of a miniature of an archer and a carter as models for a prince, with men with crossbows shooting at butts, sycophants flattering a king, and a wagoner driving a cart, with the knight kneeling in front of the lady Imagination., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Miniature of Imagination taking leave of the knight, with the city of Halle in the background, with a full trompe l'oeil border including a bird and an owl., Imaginacion de vraye noblesse

the beginning of the preface of Poulet presenting the book to Henry VII (f. 1). Small initials and paraphs in blue and white on red grounds with penwork decoration in gold. Imaginacion de vraye noblesse Quentin Poulet, scribe, illuminator (his

• Historiated initial with a portrait of Ptolemy, a diagram illustrating musical principles, and, in the lower margin, the arms of Franchinus Gaufurio di Savigliano of Lodi., Harmonia

(f. 3). 3 large initials in gold on coloured grounds with foliate extentions (ff. 2v, 18v, 35). Smaller initials in blue with red penwork decoration and in red with purple penwork decoration. Numerous diagrams illustrating musical principles, sometimes several per

• Decorated initial 'O' (heer) at the beginning of a prayer, with a penwork border of acanthus scrolls in red and blue winding around aubergines., Prayer Book

blue penwork decoration incorporating aubergine motifs, either full (ff. 1, 57), or three-sided (ff. 17, 29, 37). Large blue initials with green and red foliate or geometric penwork decoration, some with red and/or blue pen-flourishing. Simple alternating red or

• Decorated initial with a vase., Prayer Book

blue penwork decoration incorporating aubergine motifs, either full (ff. 1, 57), or three-sided (ff. 17, 29, 37). Large blue initials with green and red foliate or geometric penwork decoration, some with red and/or blue pen-flourishing. Simple alternating red or

• Decorated initial with aubergine style decoration., Prayer Book

blue penwork decoration incorporating aubergine motifs, either full (ff. 1, 57), or three-sided (ff. 17, 29, 37). Large blue initials with green and red foliate or geometric penwork decoration, some with red and/or blue pen-flourishing. Simple alternating red or

• null, Medical treatises

1 large initials in gold on red and blue grounds (ff. 6, 22v, 31, 105v, 142). Small initials in blue with red foliate pen-flourishing. Paraph marks in plain red or blue. Medical treatises Note on the content in English, 16th-century

• Initials in red and/or blue, many with guide letters, introducing the sixth to twelfth of the twelve degrees of humility., Regula sancti Benedicti (ff. 1-26v), and other related works

Initials in red and/or blue, many with guide letters, introducing the sixth to twelfth of the twelve degrees of humility. 1 large puzzle initial in red and blue (f. 29). Small initials alternately red or blue, a few of them

• null, Epistolae, etc.

Large puzzle initials in blue and red, with red and purple pen-flourishing (ff. 1, 4v, etc.). Small initials in blue with red pen-flourishing, or red with purple pen-flourishing. Paraphs in plain blue. Epistolae, etc. Charles Burney (b. 1757, d. 1817),

• null, Epistolae, etc.

Large puzzle initials in blue and red, with red and purple pen-flourishing (ff. 1, 4v, etc.). Small initials in blue with red pen-flourishing, or red with purple pen-flourishing. Paraphs in plain blue. Epistolae, etc. Charles Burney (b. 1757, d. 1817),

• Decorated initial 'O' (heer) at the beginning of a series of prayers on the Passion, with a penwork border of acanthus scrolls in red and blue winding around aubergines., Prayer Book

blue penwork decoration incorporating aubergine motifs, either full (ff. 1, 57), or three-sided (ff. 17, 29, 37). Large blue initials with green and red foliate or geometric penwork decoration, some with red and/or blue pen-flourishing. Simple alternating red or

• Diagrams, Philosophical and Scientific Tracts (begins imperfectly), including Guillaume de Conches's De Philosophia Mundi, imperfect (ff. 2-33v)

Diagrams Large initials in red or blue with pen-flourishing in blue or red. Small initials in plain red or blue. Coloured diagrams. Philosophical and Scientific Tracts (begins imperfectly), including Guillaume de Conches's De Philosophia Mundi, imperfect (ff. 2-33v) Inscription, 15th

• Puzzle initial 'C'(redo), at the beginning of Pseudo-Seneca's Epistolae to Paul., Epistolae, etc.

to Paul. Large puzzle initials in blue and red, with red and purple pen-flourishing (ff. 1, 4v, etc.). Small initials in blue with red pen-flourishing, or red with purple pen-flourishing. Paraphs in plain blue. Epistolae, etc. Charles Burney (b. 1757,

• Puzzle initials ' V'(iro) and 'V'(ultis) of the preface and beginning of Bernard of Clairvaux's De diligendo deo, in red and blue with delicate, elaborate penwork flourishing., De diligendo Deo and various sermons, including De peregrino et mortuo et crucifixo

of Bernard of Clairvaux's De diligendo deo, in red and blue with delicate, elaborate penwork flourishing. Large puzzle initials in red and blue with elaborate tight penwork flourishing in red, blue or purple. De diligendo Deo and various sermons, including

• Puzzle initial 'A'(nneus), at the beginning of the Spanish translation of Pseudo-Seneca's Epistolae to Paul., Epistolae, etc.

to Paul. Large puzzle initials in blue and red, with red and purple pen-flourishing (ff. 1, 4v, etc.). Small initials in blue with red pen-flourishing, or red with purple pen-flourishing. Paraphs in plain blue. Epistolae, etc. Charles Burney (b. 1757,

• null, Book of Hours

initials in red and blue, with foliate infill and penwork decoration in red and blue, with touches of green (ff. 12, 28). 1 similar initial without penwork decoration (f. 52). Smaller initials in red or blue with simple reserved designs,

• Puzzle and penwork initial 'M'(ine) at the beginning of the Hours of Eternal Wisdom., Book of Hours

initials in red and blue, with foliate infill and penwork decoration in red and blue, with touches of green (ff. 12, 28). 1 similar initial without penwork decoration (f. 52). Smaller initials in red or blue with simple reserved designs,

• Puzzle initial with penwork decoration., Book of Hours

initials in red and blue, with foliate infill and penwork decoration in red and blue, with touches of green (ff. 12, 28). 1 similar initial without penwork decoration (f. 52). Smaller initials in red or blue with simple reserved designs,