• Detail of a miniature of the murder of Agamemnon., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Aegisthus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Philisthenes and Menelippus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Telegonus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• null, Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red.

• null, Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v). Small initials in plain red.

• Canon tables in architectural frames, with decorated capitals and bases., Gospels, with the Epistle to Damasus, canon tables, and prefaces

in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff. 14, 51, 73, 77v,

• Canon table in an architectural frame, and decorated initial 'L'(iber) at the beginning of the Gospel of Mathew., Gospels, with the Epistle to Damasus, canon tables, and prefaces

of Mathew. Quire signatures in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff.

• Miniature of the Ascension., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Anitphon with neumes., Fragments of an Antiphoner including parts of offices for Lawrence, Hippolitus, and Peter and Paul

the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th

• Miniature of the Ascension., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Zoomorphic initial 'M'(atheus) with animal heads at the beginning of the first prologue., Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).

• Zoomorphic initial 'L'(iber) formed by a fish with a branch or flower in its mouth, at the start of Matthew, an ownership inscription with the date 1369 in the lower margin; and a title and incipit inscription in the upper margin., Glossed Matthew with prologues (ff. 7v-108v), preceded (ff. 1v-6v) by excerpts from Jerome, Augustine, Pope Leo and others

two columns). The horizontal rulings are in brown, while the verticals are usually blind-ruled. 2 large zoomorphic initials, in red, blue, green, and yellow (ff. 7v, 9). 1 diagram showing a schematised family tree from David to Christ (f. 8v).

• Miniature of the Nativity, prefacing the reading for Christmas., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Puzzle initial 'V'(oluntas) and flourished border at the beginning of the Similitudines Anselmi., Similitudines Anselmi, with table of chapters

similar mis-en-page and decoration, and flyleaf notations. Full border, of red pen flourishing (f. 2). Small initials in red and blue with pen-flourishing. Similitudines Anselmi, with table of chapters Former shelfmark (?) ‘L.N.9’, ‘N° 3’ (f. i verso) and ‘B’

• Illuminated headpiece decorated with geometric patterns, and initial 'A'(ndres) at the beginning of Gregory Nazianzus' De pauperum amore (Oratio 14)., In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

were formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial (f. 3v). Simple endpiece (f. 3). In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

• Antiphon for the office of Peter and Paul, with neumes., Fragments of an Antiphoner including parts of offices for Lawrence, Hippolitus, and Peter and Paul

the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th

• Illuminated headpiece with a foliate pattern and decorated initial 'E'(n) at the beginning of the Gospel of John., Four Gospels, each preceded by a table of capitula (index New Testament, Bible)

157) at the beginning of each Gospel. Simple headpieces and endpieces in red and sometimes brown. Large decorated initials in blue and red at the beginning of each Gospel. Small simple initials in red. Four Gospels, each preceded by a

• Decorated initial 'P'(ascalis) in Anselm's epistle 281., Epistolae 280, 281, and 415, imperfect and fragmentary

281. 2 large initials in red with blue penwork decoration (ff. 2, 3v). 1 large initial in red (f. 5). Small initials in brown ink. Epistolae 280, 281, and 415, imperfect and fragmentary Thomas Astle (b. 1735, d. 1803), archivist

• Decorated initial 'P'(aulus) at the beginning of Paul's epistles, with gloss., Epistles of Paul, with prologues and gloss; Jerome's prologue to the Epistles (ff. 151-152v)

14 large foliate brown ink initials with colours, most with red, yellow, blue, and sometimes olive green (ff. 1, 27, 52, 69, 78, 87, 93v, 99v, 105, 108v, 116, 121v, 125, 127). Small initials in red. Epistles of Paul, with