• Initial 'P'(rimus) with decoration., Commentary on Pseudo-Dionysius' Hierarchia caelestis (index Commentaria in Hierarchiam Coelestem S. Dionysii Areopagitae)

Lincoln and confessor of Henry VIII, Royal Appendix 69 (see Carley 2000).The flyleaves contain two Goliardic poems or satires on church abuses in a 13th-century hand: an invective against the bishops of Bath [Jocelin], Norwich [John de Grey] and Winchester

• Large initial 'I'(udei) with decoration in angular and foliate patterns., Commentary on Pseudo-Dionysius' Hierarchia caelestis (index Commentaria in Hierarchiam Coelestem S. Dionysii Areopagitae)

Lincoln and confessor of Henry VIII, Royal Appendix 69 (see Carley 2000).The flyleaves contain two Goliardic poems or satires on church abuses in a 13th-century hand: an invective against the bishops of Bath [Jocelin], Norwich [John de Grey] and Winchester

• Initial 'H'(is) with decoration., Commentary on Pseudo-Dionysius' Hierarchia caelestis (index Commentaria in Hierarchiam Coelestem S. Dionysii Areopagitae)

Lincoln and confessor of Henry VIII, Royal Appendix 69 (see Carley 2000).The flyleaves contain two Goliardic poems or satires on church abuses in a 13th-century hand: an invective against the bishops of Bath [Jocelin], Norwich [John de Grey] and Winchester

• Coloured initial 'P'(rima)., Computistica, De temporibus

Benedectine abbey of St Albans: perhaps copied from Royal MS. 12 D. iv, which was written c. 1100 at Christ Church, Canterbury; contains a distinctive St Albans form of the table of contents (f. 1v) (see Thomson 1982); St Albans

• Coloured initial 'C'(um) at the beginning of the text, with an ownership inscription of the Benedictine abbey of St Albans, reading 'H[ic] est liber s[an]c[t]i Albani q[ue]m q[u]i ei abstulerit aut titulum delev[er]it anathema sit. Am[en]', and the monogram of cardinal Thomas Wolsey., Computistica, De temporibus

Benedectine abbey of St Albans: perhaps copied from Royal MS. 12 D. iv, which was written c. 1100 at Christ Church, Canterbury; contains a distinctive St Albans form of the table of contents (f. 1v) (see Thomson 1982); St Albans

• Coloured initial 'A'(nnus) at the beginning of book 1., Computistica, De temporibus

Benedectine abbey of St Albans: perhaps copied from Royal MS. 12 D. iv, which was written c. 1100 at Christ Church, Canterbury; contains a distinctive St Albans form of the table of contents (f. 1v) (see Thomson 1982); St Albans

• Decorated initial 'D'(e), at the beginning of the prologue of Bede's treatise 'De temporibus'., Computistica, De temporibus

Benedectine abbey of St Albans: perhaps copied from Royal MS. 12 D. iv, which was written c. 1100 at Christ Church, Canterbury; contains a distinctive St Albans form of the table of contents (f. 1v) (see Thomson 1982); St Albans

• Coloured initial 'T'(empora) and letters in Greek., Computistica, De temporibus

Benedectine abbey of St Albans: perhaps copied from Royal MS. 12 D. iv, which was written c. 1100 at Christ Church, Canterbury; contains a distinctive St Albans form of the table of contents (f. 1v) (see Thomson 1982); St Albans

• Decorated initial 'B'(reves) with foliate motifs., Chronicon (ff. 1v-94v), Chronology of Roman emperors (ff. 94v-96), Chronology of the dukes of Normandy to 1035 (ff. 96-96v), with prominent entries relating to the founding of the abbey of Mont St. Michel, the beginning of the building of the church and Suppo's abbacy (f. 96), Genealogy of the Kings of France to 987 (ff. 97-100)

prominent entries relating to the founding of the abbey of Mont St. Michel, the beginning of the building of the church and Suppo's abbacy (f. 96), Genealogy of the Kings of France to 987 (ff. 97-100) The Benedictine abbey of

• null, Chronicon (ff. 1v-94v), Chronology of Roman emperors (ff. 94v-96), Chronology of the dukes of Normandy to 1035 (ff. 96-96v), with prominent entries relating to the founding of the abbey of Mont St. Michel, the beginning of the building of the church and Suppo's abbacy (f. 96), Genealogy of the Kings of France to 987 (ff. 97-100)

prominent entries relating to the founding of the abbey of Mont St. Michel, the beginning of the building of the church and Suppo's abbacy (f. 96), Genealogy of the Kings of France to 987 (ff. 97-100) The Benedictine abbey of

• null, Chronicon (ff. 1v-94v), Chronology of Roman emperors (ff. 94v-96), Chronology of the dukes of Normandy to 1035 (ff. 96-96v), with prominent entries relating to the founding of the abbey of Mont St. Michel, the beginning of the building of the church and Suppo's abbacy (f. 96), Genealogy of the Kings of France to 987 (ff. 97-100)

prominent entries relating to the founding of the abbey of Mont St. Michel, the beginning of the building of the church and Suppo's abbacy (f. 96), Genealogy of the Kings of France to 987 (ff. 97-100) The Benedictine abbey of

• Coloured initial 'D'(ominus) with display script., Liber scintillarum and other theological collections, with Old English glosses

and green. Liber scintillarum and other theological collections, with Old English glosses The Benedictine priory of Holy Trinity, or Christ Church, Canterbury: inscribed, 'De claustro X[risti] / cantuarie', 13th century (f. 1); included in the catalogue of Henry of Eastry

• Coloured initial 'D'(ominus) with display script, at the beginning of the Liber scintillarum., Liber scintillarum and other theological collections, with Old English glosses

and green. Liber scintillarum and other theological collections, with Old English glosses The Benedictine priory of Holy Trinity, or Christ Church, Canterbury: inscribed, 'De claustro X[risti] / cantuarie', 13th century (f. 1); included in the catalogue of Henry of Eastry

• Text page with rubric, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against

• Text page, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding