• Detail of an historiated initial 'V'(idi) of a bishop sprinkling holy water on a church with a liturgical spoon; behind him a deacon stands next to a font of holy water and holds a hyssop, with a partial bar border including grotesques and hybrids., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

a bishop sprinkling holy water on a church with a liturgical spoon; behind him a deacon stands next to a font of holy water and holds a hyssop, with a partial bar border including grotesques and hybrids. 46 large historiated

• Historiated initial 'V'(idi) of a bishop sprinkling holy water on a church with a liturgical spoon; behind him a deacon stands next to a font of holy water and holds a hyssop, with a partial bar border including grotesques and hybrids., Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

bishop sprinkling holy water on a church with a liturgical spoon; behind him a deacon stands next to a font of holy water and holds a hyssop, with a partial bar border including grotesques and hybrids. 46 large historiated initials,

• Bas-de-page scene from a legend of the Virgin in which a virtuous woman (whose husband has bargained her away in exchange for wealth), see f. 216v, stops at a church to pray and her place is taken by the Virgin in order to confound the Devil., Psalter ('The Queen Mary Psalter')

husband has bargained her away in exchange for wealth), see f. 216v, stops at a church to pray and her place is taken by the Virgin in order to confound the Devil. Includes 150 Psalms (ff. 85-280) with a calendar

• Detail of a bas-de-page scene from a legend of the Virgin in which a virtuous woman (whose husband has bargained her away in exchange for wealth), see f. 216v, stops at a church to pray and her place is taken by the Virgin in order to confound the Devil., Psalter ('The Queen Mary Psalter')

(whose husband has bargained her away in exchange for wealth), see f. 216v, stops at a church to pray and her place is taken by the Virgin in order to confound the Devil. Includes 150 Psalms (ff. 85-280) with a

• Bas-de-page scene of a Jewish child at Bourges entering a Christian church and receiving the Eucharist., Psalter ('The Queen Mary Psalter')

child at Bourges entering a Christian church and receiving the Eucharist. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords and quire signatures. 223 prefatory miniatures in colours, in

• Detail of a bas-de-page scene of a Jewish child at Bourges entering a Christian church and receiving the Eucharist., Psalter ('The Queen Mary Psalter')

Jewish child at Bourges entering a Christian church and receiving the Eucharist. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords and quire signatures. 223 prefatory miniatures in colours,

• Initial 'A' with penwork decoration, Sermons, letters and tracts

or blue at the beginning of lines and verses (ff. 60-89). Rubrics in red. Sermons, letters and tracts The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 155 in Patrick Young's 1622 catalogue of the cathedral

• Historiated initial 'I' of a saint., Cuttings from a choir book

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

• Historiated initial 'L' of a deacon saint in an act of charity., Cuttings from a choir book

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

• Historiated initial 'U' of the Assumption of the Virgin., Cuttings from a choir book

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

• Historiated initial 'I' of the Circumcision., Cuttings from a choir book

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

• Historiated initial 'C' of Christ, a female saint and musicians., Cuttings from a choir book

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

• Miniature of a king supervising the building of a church; miniature of Joseph or Arimathea on his deathbed making a red cross on a white shield with his own blood as a momento for Mordrain., Estoire del Saint Graal, La Queste del Saint Graal, Morte Artu

supervising the building of a church; miniature of Joseph or Arimathea on his deathbed making a red cross on a white shield with his own blood as a momento for Mordrain. Includes: Estoire del Saint Graal, imperfect (ff. 1-88); La

• Detail of a miniature of a king supervising the building of a church., Estoire del Saint Graal, La Queste del Saint Graal, Morte Artu

king supervising the building of a church. Includes: Estoire del Saint Graal, imperfect (ff. 1-88); La Queste del Saint Graal (ff. 89-139); abridged version of the Morte Artu, imperfect, attributed to Walter Map (ff. 140-161). This manuscript is connected in

• Historiated miniature of Agnes Enthroned flanked by two musician angels, below (left) the saint's statue holding out its finger to receive an emerald ring from Paulinus, a priest of the church of Saint Agnes who wished to be allowed to marry, and (right) Agnes appearing to relatives maintaining a vigil besides her tomb. Historiated full-page border in colours and gold, of foliage and birds with three medallions in the lower margin containing two scenes of Agnes surviving being thrown into flames at the order of Aspasius and a male and female member of the Compagnia di Sant'Agnese kneeling in prayer. Beneath the miniature is a single four-line red stave, musical notation and a single line of text in gold capitals 'Sancta Agnese da dio'., Leaf of a Hymnal (index laudario), containing part of the hymns to Agnes and Anthony

holding out its finger to receive an emerald ring from Paulinus, a priest of the church of Saint Agnes who wished to be allowed to marry, and (right) Agnes appearing to relatives maintaining a vigil besides her tomb. Historiated full-page

• Miniature of messengers sent to the church of Saint Martin at Tours to ask for a sign of victory. They were greeted by the Psalm 'Sire thou did gird me with strength for battle . . . Thou did make my assailants sink under me', in a scene from the life of Clovis., Chroniques de France ou de St Denis

sent to the church of Saint Martin at Tours to ask for a sign of victory. They were greeted by the Psalm 'Sire thou did gird me with strength for battle . . . Thou did make my assailants sink

• Detail of a miniature of messengers sent to the church of Saint Martin at Tours to ask for a sign of victory. They were greeted by the Psalm 'Sire thou did gird me with strength for battle . . . Thou did make my assailants sink under me', in a scene from the life of Clovis., Chroniques de France ou de St Denis

of messengers sent to the church of Saint Martin at Tours to ask for a sign of victory. They were greeted by the Psalm 'Sire thou did gird me with strength for battle . . . Thou did make my

• Drawing of an author portrait of Aldhelm., De laudibus virginitatis; letter of Aldhelm to Ehfridus

Ehfridus, with corrections in the hand of Patrick Young, 17th century (ff. 163-165). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Aldhelm Aldhelm Winchester England, S. (Winchester or Canterbury, Christ Church)

• Coloured initial 'D'(ominus), at the beginning of book 9 of the Liber scintillarum., Liber scintillarum and other theological collections, with Old English glosses

and green. Liber scintillarum and other theological collections, with Old English glosses The Benedictine priory of Holy Trinity, or Christ Church, Canterbury: inscribed, 'De claustro X[risti] / cantuarie', 13th century (f. 1); included in the catalogue of Henry of Eastry

• Coloured initial 'D'(ominus), at the beginning of book 10 of the Liber scintillarum., Liber scintillarum and other theological collections, with Old English glosses

and green. Liber scintillarum and other theological collections, with Old English glosses The Benedictine priory of Holy Trinity, or Christ Church, Canterbury: inscribed, 'De claustro X[risti] / cantuarie', 13th century (f. 1); included in the catalogue of Henry of Eastry