• Detail of a marginal drawing of a scribe at work, in the upper left margin., Policraticus

Sheldonian, '1697', but 1698?), no. 8656; red seal of a ship (unfoliated parchment folio after f. [i]).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Scribe at work John of Salisbury England

• Text page with large initials; Latin and Anglo-Saxon script., Grammar

Text page with large initials; Latin and Anglo-Saxon script. Greek numerals and alphabets (ff. 2v-3)'Excerptiones de arte grammatica Anglice': the Latin Grammar, in Anglo-Saxon, of Ælfric, Abbot of Ensham based on Priscian's Excerptiones. Imperfect at the end, breaking off

• Text page., Policraticus

Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8656; red seal of a ship (unfoliated parchment folio after f. [i]).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text John of Salisbury England

• Detail of a decorated initial 'P'., Theological texts

Detail of a decorated initial 'P'. Includes Ambrose, Commentary on Luke (ff. 2-105v), Bernard of Clairvaux, Sermones, attributed here to Anselm of Canterbury, imperfect (ff. 105-108), Honorius Augustodunensis, Gemme animae sive De divinis officiis (ff. 109-173v) and Tractatus de

• Zoomorphic initial 'M'(ultiphariam) in the form of a dragon and two fish, at the beginning of Peter Lombard's commentary on 1 Hebrews, and an illuminated initial 'M'(ultiphariam) at the beginning of 1 Hebrews., Gloss on the Pauline Epistles

Zoomorphic initial 'M'(ultiphariam) in the form of a dragon and two fish, at the beginning of Peter Lombard's commentary on 1 Hebrews, and an illuminated initial 'M'(ultiphariam) at the beginning of 1 Hebrews. Catchwords, bifolium signatures, and notes 'cor'

• Historiated initial 'P'(aulus) of Paul holding a book, at the beginning of Peter Lombard's commentary on Ephesians, and a historiated initial 'P'(aulus) of a lion, at the beginning of Ephesians., Gloss on the Pauline Epistles

Historiated initial 'P'(aulus) of Paul holding a book, at the beginning of Peter Lombard's commentary on Ephesians, and a historiated initial 'P'(aulus) of a lion, at the beginning of Ephesians. Catchwords, bifolium signatures, and notes 'cor' in brown or

• Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians, and an illuminated initial 'P'(aulus) at the beginning of Peter Lombard's commentary on 1 Corinthians., Gloss on the Pauline Epistles

Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians, and an illuminated initial 'P'(aulus) at the beginning of Peter Lombard's commentary on 1 Corinthians. Catchwords, bifolium signatures, and notes 'cor' in brown or red ink. Guide letters

• Historiated initial 'P'(aulus) of Paul, at the beginning of Philemon, and an illuminated initial 'P'(aulus), at the beginning of Peter Lombard's commentary on Philemon., Gloss on the Pauline Epistles

Historiated initial 'P'(aulus) of Paul, at the beginning of Philemon, and an illuminated initial 'P'(aulus), at the beginning of Peter Lombard's commentary on Philemon. Catchwords, bifolium signatures, and notes 'cor' in brown or red ink. Guide letters for initials.

• Historiated initial 'P'(aulus) of Paul, at the beginning of Peter Lombard's commentary on 1 Timothy., Gloss on the Pauline Epistles

Historiated initial 'P'(aulus) of Paul, at the beginning of Peter Lombard's commentary on 1 Timothy. Catchwords, bifolium signatures, and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1,

• Historiated initial 'P'(aulus) of Paul, at the beginning of 2 Thessalonians, and an illuminated initial 'P'(aulus) at the beginning of Peter Lombard's commentary on 2 Thessalonians., Gloss on the Pauline Epistles

Historiated initial 'P'(aulus) of Paul, at the beginning of 2 Thessalonians, and an illuminated initial 'P'(aulus) at the beginning of Peter Lombard's commentary on 2 Thessalonians. Catchwords, bifolium signatures, and notes 'cor' in brown or red ink. Guide letters

• Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Thessalonians, and an illuminated initial 'P'(aulus) at the beginning of Peter Lombard's commentary on 1 Thessalonians., Gloss on the Pauline Epistles

Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Thessalonians, and an illuminated initial 'P'(aulus) at the beginning of Peter Lombard's commentary on 1 Thessalonians. Catchwords, bifolium signatures, and notes 'cor' in brown or red ink. Guide letters

• Historiated initial 'P'(aulus) of Paul, at the beginning of Peter Lombard's commentary on Colossians, and an illuminated initial 'P'(aulus) at the beginning of Colossians., Gloss on the Pauline Epistles

Historiated initial 'P'(aulus) of Paul, at the beginning of Peter Lombard's commentary on Colossians, and an illuminated initial 'P'(aulus) at the beginning of Colossians. Catchwords, bifolium signatures, and notes 'cor' in brown or red ink. Guide letters for initials.

• Historiated initial 'P'(aulus) of Paul holding a scroll, at the beginning of Peter Lombard's commentary on Philippians, and an illuminated initial 'P'(aulus) at the beginning of Philippians., Gloss on the Pauline Epistles

Historiated initial 'P'(aulus) of Paul holding a scroll, at the beginning of Peter Lombard's commentary on Philippians, and an illuminated initial 'P'(aulus) at the beginning of Philippians. Catchwords, bifolium signatures, and notes 'cor' in brown or red ink. Guide

• Historiated initial 'P'(aulus) of Paul, at the beginning of Corinthians, and an illuminated initial 'P'(aulus) at the beginning of Peter Lombard's commentary on Corinthians., Gloss on the Pauline Epistles

Historiated initial 'P'(aulus) of Paul, at the beginning of Corinthians, and an illuminated initial 'P'(aulus) at the beginning of Peter Lombard's commentary on Corinthians. Catchwords, bifolium signatures, and notes 'cor' in brown or red ink. Guide letters for initials.

• Historiated initial 'P'(aulus) of Paul, at the beginning of Peter Lombard's commentary on Romans, and an illuminated initial 'P'(aulus) at the beginning of Romans., Gloss on the Pauline Epistles

Historiated initial 'P'(aulus) of Paul, at the beginning of Peter Lombard's commentary on Romans, and an illuminated initial 'P'(aulus) at the beginning of Romans. Catchwords, bifolium signatures, and notes 'cor' in brown or red ink. Guide letters for initials.

• Text page., Diatessaron (or Unum ex quatuor), with glosses

126v); included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 6v (see Carley 2000). The Old

• Zoomorphic initial 'A'(mmonius) formed of a dragon, at the beginning of the letter of Eusebius to Carpianus; and a foliate initial 'V'(idi)., Diatessaron (or Unum ex quatuor), with glosses

126v); included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 6v (see Carley 2000). The Old

• Initial 'V'(ocationem) with foliate decoration., Commentary on Leviticus

and included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69 (see Carley 2000).The Old Royal Library (the

• Initial 'V'(ocavit) with foliate decoration and display script., Commentary on Leviticus

and included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69 (see Carley 2000).The Old Royal Library (the

• Initial 'Q'(ocationem) with foliate decoration at the beginning of Book 2., Commentary on Leviticus

and included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69 (see Carley 2000).The Old Royal Library (the