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Christ as the Son of God, in a visualization of John 21:7. Includes one of the earliest surviving drawing of the martyrdom of Becket: see discussion Kauffmann 1975.f. 51 is a replacement page, with text in a 14th-century hand.Interlineal text
acquired by the Upper Library at Westminster after the inventory of 1542; in the select list of works noted by John Bale of c. 1548 as 'Pully super Psalterium'; in the catalogue of 1666, Royal Appendix 71, f. 15v; and
acquired by the Upper Library at Westminster after the inventory of 1542; in the select list of works noted by John Bale of c. 1548 as 'Pully super Psalterium'; in the catalogue of 1666, Royal Appendix 71, f. 15v; and
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal
the bringing of the head of John the Baptist. The Veronica image is the earliest in Western art, according to Lewis 1987 p. 127.This is the earliest richly illuminated manuscript with fairly definite evidence of having been made in Oxford,
Holes with rust (ff. 170-174), evidence of former chain holes.Various inscriptions (ff. 173-174). 6 large initials in red, blue, or green with penword foliate decoration in the other colours, characterised by Lawrence as 'split-petal' and 'three-lobed-bud' motifs at the
Holes with rust (ff. 170-174), evidence of former chain holes.Various inscriptions (ff. 173-174). 6 large initials in red, blue, or green with penword foliate decoration in the other colours, characterised by Lawrence as 'split-petal' and 'three-lobed-bud' motifs at the
Holes with rust (ff. 170-174), evidence of former chain holes.Various inscriptions (ff. 173-174). 6 large initials in red, blue, or green with penword foliate decoration in the other colours, characterised by Lawrence as 'split-petal' and 'three-lobed-bud' motifs at the
Holes with rust (ff. 170-174), evidence of former chain holes.Various inscriptions (ff. 173-174). 6 large initials in red, blue, or green with penword foliate decoration in the other colours, characterised by Lawrence as 'split-petal' and 'three-lobed-bud' motifs at the
100, 115. Small initials in red or green (ff. 222-223). Decretum, with gloss; list of popes and emperors (ff. 222-229) John de Herefeld ?, vicar of Plumstead, Kent, first half of the 14th century: his inscription: ‘Decreta de dono domini
100, 115. Small initials in red or green (ff. 222-223). Decretum, with gloss; list of popes and emperors (ff. 222-229) John de Herefeld ?, vicar of Plumstead, Kent, first half of the 14th century: his inscription: ‘Decreta de dono domini
commentary on chapter 2 of a letter of John. ff. 1, 2 and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a
beginning of the Letters of John, with the beginnings of paragraphs marked in yellow and a 'q' in the margin, and a marginal marking of 'C1'. ff. 1, 2 and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century
Prologue to Joshua (recto) and the end of Deuteronomy 34:1-6 (verso); from the same Bible as Sloane 1044, ff. 76-77 John Bagford: inscribed, probably by Frederic Madden, that this is 'A portion of Bagford's collection F. M.' (f. [iii]).Sir Hans
collat(us) a d(omi)no theoderico morelli' (f. 46v).The Augustinian priory of Val St.-Martin, Leuven (index Louvain): see the inscription cited above. John Chamberlayne (b. 1666, d. 1723), son of Edward Chamberlayne (b. 1616, d. 1703): his sale of his library conducted
Initial 'U'(num) with foliate and knotwork motifs. Table of contents in hand of scribe (ff. 1-2v). Quire marks. Guide script for rubricator preserved on f. 99v (written alongside outer margin).Some initials are probably unfinished, as they lack contour lines.