• Detail of a zoomorphic initial 'Z'(acgarias), at the beginning of the list of capitula of Luke., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Detail of an initial 'Q'(uoniam) from the incipit page, at the beginning of Luke., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Detail of a miniature of an ox, the symbol of Luke, with God the Father above, at the beginning of Luke., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Text page., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Text page., Gospels, imperfect (the 'Royal Bible')

to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with

• Coloured initials., Gospels of Luke and John, with prologue, table of chapters, and lections for the year (ff. 104v-111v)

the Gospels (ff. 2, 63). Chrysography. Initials in red or brown. Apparatus in brown and red. Gospels of Luke and John, with prologue, table of chapters, and lections for the year (ff. 104v-111v) ff. 112r-v contains added readings for August

• The ownership inscription of John Clerk, grocer and apocetharius of King Edward IV, and warden of the London Company of Grocers in 1467 and 1475. The apocetharius of the royal household was the official responsible for preserved fruits and condiments., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Illuminated headpiece with foliate decoration and initial at the beginning of John., Four Gospels and Hebrews 12:17-13:25, imperfect (see notes), adapted for liturgical use

and initial at the beginning of John. The volume of which this manuscript was originally a part also contained Metz, Bibliothèque Municipale, MS 4 (destroyed in 1944), which comprised Acts, Catholic and Pauline Epistles, and Hebrews 1:1-12:16. Pink silk endpapers

• Decorated puzzle initial 'Q'(uadam) of the first book of Gregory's Dialogues, with penwork decoration and pen-flourishing, and and pen-flourished border., Dialogues, with alphabetical index

verso) and price ‘25 Gs' (f. 134). ? Price '3: 3: 0' inscribed in ink, f. 133v, lower left corner).? John Brand (b. 1744, d. 1806), antiquary and topographer (inscribed in pencil ‘Gregory the 1st Dialogues, Compleat, Wrote about/ Anno

• Illuminated headpiece decorated with a foliate pattern on a gold ground, (the right hand portion replaced with a similar pattern in red) and illuminated initial 'E'(n) at the beginning of the Gospel of John, with a marginal inscription in Ottoman Turkish., Gospel Lectionary for the liturgical year starting from the lesson for Easter Sunday

with a similar pattern in red) and illuminated initial 'E'(n) at the beginning of the Gospel of John, with a marginal inscription in Ottoman Turkish. Marginal notes in Ottoman Turkish (ff. 1, 49, 149). Headpiece with vine scroll decoration in

• Miniature of God enthroned holding a globe with two angels supporting a papal tiara above him, and four Evangelists writing on scrolls with their symbols; two scenes in the bas-de-page, Samson with the gates of Gaza and Solomon setting the three sons to shoot at their father's corpse to prove their legitimacy; and a foliate initial 'P'(our) with a full border, at the beginning of the prologue., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the

• Calendar page for February, with the dedication of the church of St. Lawrence, Ludlow (the largest parish church in Shropshire): about half-way down the page, written in red ink at 13 February, is 'Dedicacion de la eglise seint Laurence de Lodelawe'., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Coloured initials in the litany. Each column on this page has the saint's name to the left, followed by a space and an abbreviation of the word 'priez' (pray [for me]), with a hybrid creature in the lower right margin., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Ink drawings of a huntsman and his dog chasing a female ape: the ape carries one child on her back, and the other on her front, and a mermaid and a ship in the sea., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Bas-de-page scene of John the Baptist preaching holding a disk before a seated group of people., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John the Baptist before a seated Herod with a sword., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to

• Bas-de-page scene of John being pushed into a prison tower by a man holding a club., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance

• Bas-de-page scene of Salome presenting the head of John in a golden bowl to her seated mother., Book of Hours, Use of Sarum ('The Taymouth Hours')

presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought

• Bas-de-page scene of two men holding bones in their arms, and the skeleton of John in a tomb., Book of Hours, Use of Sarum ('The Taymouth Hours')

in their arms, and the skeleton of John in a tomb. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have