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to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with
to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with
to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with
to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with
to Zacharias, now lost;Luke, with the first page missing, beginning with 1:5, 'Fuit in diebus Herodis' (ff. 45-67v);The capitula of John (f. 68);John, with the first and the last leaf missing, beginning with 1:6, 'Fuit homo missus', and ending with
the Gospels (ff. 2, 63). Chrysography. Initials in red or brown. Apparatus in brown and red. Gospels of Luke and John, with prologue, table of chapters, and lections for the year (ff. 104v-111v) ff. 112r-v contains added readings for August
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
and initial at the beginning of John. The volume of which this manuscript was originally a part also contained Metz, Bibliothèque Municipale, MS 4 (destroyed in 1944), which comprised Acts, Catholic and Pauline Epistles, and Hebrews 1:1-12:16. Pink silk endpapers
verso) and price ‘25 Gs' (f. 134). ? Price '3: 3: 0' inscribed in ink, f. 133v, lower left corner).? John Brand (b. 1744, d. 1806), antiquary and topographer (inscribed in pencil ‘Gregory the 1st Dialogues, Compleat, Wrote about/ Anno
with a similar pattern in red) and illuminated initial 'E'(n) at the beginning of the Gospel of John, with a marginal inscription in Ottoman Turkish. Marginal notes in Ottoman Turkish (ff. 1, 49, 149). Headpiece with vine scroll decoration in
in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important
scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to
scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important
scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance
presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought
in their arms, and the skeleton of John in a tomb. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have