• Illuminated initial 'A'(s the) in gold and red, at the beginning of the text., The pleasaunt poesye of princelie practise, imperfect

poesye of princelie practise, imperfect Added leaves of a lectionary from lives of saints of English origin containing readings of John and Paul (26 June) and Margaret (20 July), 1st half of the 13th century (ff. 1, 79)William Forrest (fl.

• Decorated initial 'Chi-rho', with a zoomorphic decoration, at the beginning of Matthew; and an added Old English text of a manumission by king Athelstan., Gospel Book

Matthew, Mark, and Luke (ff. 15, 15v, 55, 84). Smaller initials in ink with interlace decoration at the beginning of John, prologues, and other lists of capitula (ff. 1, 2v, 3v, 4v, 5, 8, 52, 128, 130v). Canon Tables with

• Detail of a decorated initial 'Chi-rho', with a zoomorphic decoration, at the beginning of Matthew; and an added Old English text of a manumission by king Athelstan., Gospel Book

Matthew, Mark, and Luke (ff. 15, 15v, 55, 84). Smaller initials in ink with interlace decoration at the beginning of John, prologues, and other lists of capitula (ff. 1, 2v, 3v, 4v, 5, 8, 52, 128, 130v). Canon Tables with

• Detail of an added Old English text of a manumission by king Athelstan., Gospel Book

Matthew, Mark, and Luke (ff. 15, 15v, 55, 84). Smaller initials in ink with interlace decoration at the beginning of John, prologues, and other lists of capitula (ff. 1, 2v, 3v, 4v, 5, 8, 52, 128, 130v). Canon Tables with

• Decorated initial 'Q'(uoniam), with a display script, at the beginning of Luke., Gospel Book

Matthew, Mark, and Luke (ff. 15, 15v, 55, 84). Smaller initials in ink with interlace decoration at the beginning of John, prologues, and other lists of capitula (ff. 1, 2v, 3v, 4v, 5, 8, 52, 128, 130v). Canon Tables with

• Detail of a decorated initial 'Q'(uoniam), with a display script, at the beginning of Luke., Gospel Book

Matthew, Mark, and Luke (ff. 15, 15v, 55, 84). Smaller initials in ink with interlace decoration at the beginning of John, prologues, and other lists of capitula (ff. 1, 2v, 3v, 4v, 5, 8, 52, 128, 130v). Canon Tables with

• Text page., Gospel Book

Matthew, Mark, and Luke (ff. 15, 15v, 55, 84). Smaller initials in ink with interlace decoration at the beginning of John, prologues, and other lists of capitula (ff. 1, 2v, 3v, 4v, 5, 8, 52, 128, 130v). Canon Tables with

• Ownership inscription of a Carmelite convent, Lincoln, reading 'Liber fratrum carmelitarum Lincoln.', with a pressmark ' 2m v'., Historia romana; Commentary on Chronicles; Historia de Veteri Testamento, Cronica Veteris Testamenti, Libellus de remediis animae; Commentary on Jeremiah with glossary, Commentary on Mark; extract from Augustine's Soloiloquia

i* verso).Included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishiop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 2 (see Carley 2000).The Old Royal

• Pen-flourished initial 'F'., Historia romana; Commentary on Chronicles; Historia de Veteri Testamento, Cronica Veteris Testamenti, Libellus de remediis animae; Commentary on Jeremiah with glossary, Commentary on Mark; extract from Augustine's Soloiloquia

i* verso).Included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishiop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 2 (see Carley 2000).The Old Royal

• Historiated initial 'P'(rimus) of Paul Deacon, with a partial bar border, at the beginning of the Historia Romana., Historia romana; Commentary on Chronicles; Historia de Veteri Testamento, Cronica Veteris Testamenti, Libellus de remediis animae; Commentary on Jeremiah with glossary, Commentary on Mark; extract from Augustine's Soloiloquia

i* verso).Included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishiop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 2 (see Carley 2000).The Old Royal

• Foliate initial 'A'(nno) with a partial bar border., Historia romana; Commentary on Chronicles; Historia de Veteri Testamento, Cronica Veteris Testamenti, Libellus de remediis animae; Commentary on Jeremiah with glossary, Commentary on Mark; extract from Augustine's Soloiloquia

i* verso).Included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishiop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 2 (see Carley 2000).The Old Royal

• Foliate initial 'P'(rincipatum) with a partial bar border, at the beginning of Andrew of Saint-Victor's Commentary on Chronicles., Historia romana; Commentary on Chronicles; Historia de Veteri Testamento, Cronica Veteris Testamenti, Libellus de remediis animae; Commentary on Jeremiah with glossary, Commentary on Mark; extract from Augustine's Soloiloquia

i* verso).Included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishiop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 2 (see Carley 2000).The Old Royal

• Puzzle initial 'P'(ostquam) with a full I-border, at the beginning of the Historia de Veteri Testamento., Historia romana; Commentary on Chronicles; Historia de Veteri Testamento, Cronica Veteris Testamenti, Libellus de remediis animae; Commentary on Jeremiah with glossary, Commentary on Mark; extract from Augustine's Soloiloquia

i* verso).Included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishiop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 2 (see Carley 2000).The Old Royal

• Puzzle initial 'A'(ntiquitus) with marginal extensions, at the beginning of the Libellus de remediis animae., Historia romana; Commentary on Chronicles; Historia de Veteri Testamento, Cronica Veteris Testamenti, Libellus de remediis animae; Commentary on Jeremiah with glossary, Commentary on Mark; extract from Augustine's Soloiloquia

i* verso).Included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishiop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 2 (see Carley 2000).The Old Royal

• Detail of a historiated initial 'E'(dwardus) with the coronation of a king by a bishop at the beginning of the Magna Carta., Vetera Statuta (index Statutes of England, Statuta Angliae, Statute book), including the Magna Carta, etc., vol. 1, imperfect

Detail of a historiated initial 'E'(dwardus) with the coronation of a king by a bishop at the beginning of the Magna Carta. 2 pieces of parchment (possibly with erased inscriptions) are bound after f. [iii], and 2 after f.

• Historiated initial 'E'(dwardus) with the coronation of a king by a bishop at the beginning of the Magna Carta; arms of England, Lancaster and Beauchamp in the borders., Vetera Statuta (index Statutes of England, Statuta Angliae, Statute book), including the Magna Carta, etc., vol. 1, imperfect

Historiated initial 'E'(dwardus) with the coronation of a king by a bishop at the beginning of the Magna Carta; arms of England, Lancaster and Beauchamp in the borders. 2 pieces of parchment (possibly with erased inscriptions) are bound after

• Full-page miniature of Christ and the four Evangelist symbols: eagle, angel, ox, and winged lion., Gradual of Saint-Etienne of Toulouse, including a tonary (a collection of chant melodies)

Full-page miniature of Christ and the four Evangelist symbols: eagle, angel, ox, and winged lion. Ruled in hardpoint.Horizontal catchwords.Musical notation / Aquitanian notation, including ruling with a dry stylus at a mid-point between the highest and the lowest notes:

• Detail of a musician (possibly David) playing a harp, representing the first musical mode., Gradual of Saint-Etienne of Toulouse, including a tonary (a collection of chant melodies)

Detail of a musician (possibly David) playing a harp, representing the first musical mode. Ruled in hardpoint.Horizontal catchwords.Musical notation / Aquitanian notation, including ruling with a dry stylus at a mid-point between the highest and the lowest notes: see

• Detail of a musician playing a viol, representing the second musical mode., Gradual of Saint-Etienne of Toulouse, including a tonary (a collection of chant melodies)

Detail of a musician playing a viol, representing the second musical mode. Ruled in hardpoint.Horizontal catchwords.Musical notation / Aquitanian notation, including ruling with a dry stylus at a mid-point between the highest and the lowest notes: see discussion Bell2001..2

• Detail of a woman dancing, representing the fifth musical mode., Gradual of Saint-Etienne of Toulouse, including a tonary (a collection of chant melodies)

Detail of a woman dancing, representing the fifth musical mode. Ruled in hardpoint.Horizontal catchwords.Musical notation / Aquitanian notation, including ruling with a dry stylus at a mid-point between the highest and the lowest notes: see discussion Bell2001..2 blank parchment