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1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
24th year of the reign of Edward III (r. 1327-77) and includes charters dated until at least 1368.Numerous names including John Waleys and William de Wakebrug. For a more detailed list of contents, see ~Catalogue~ 1808. Initials in blue with
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723 (see Wright 1972).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:
left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:
left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:
in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the
scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important
scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to
scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important
scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance
presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought