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Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
24th year of the reign of Edward III (r. 1327-77) and includes charters dated until at least 1368.Numerous names including John Waleys and William de Wakebrug. For a more detailed list of contents, see ~Catalogue~ 1808. Initials in blue with
an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and
of an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours
of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3; miniature of the first angel who sounded the trumpet, and hail and
in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the
his eyes, representing the blindness of the Jews to the Christian fulfillment of Old Testament prophecy; miniature of John holding a scroll, in Matfré Ermengau of Béziers's Breviari d'Amour. The text is originally a Provencal poem composed between 1288 and
of John the Baptist, standing on a rock, prophesying to three men of the coming of Christ, in Matfré Ermengau of Béziers's Breviari d'Amour. The text is originally a Provencal poem composed between 1288 and 1292 by Matfré Ermengau of
Miniature of John the Baptist wearing a skin and a mantle and carrying a staff with a disc bearing the Agnus Dei; miniature of John the Baptist baptizing Christ while an angel holds his robe, in Matfré Ermengau of Béziers's
receiving the head of John the Baptist from a soldier, while John's headless body leans out of a tower on the right, in Matfré Ermengau of Béziers's Breviari d'Amour. The text is originally a Provencal poem composed between 1288 and
a portion of a message written in the margin by Lady Jane Grey to Sir John Bridges, Lieutenant of the Tower: 'Forasmutche as you have desired so simple a weman to wrighte in so worthye a booke (good) Mayster Leaftaunte