• Detail of a miniature of the removal of Edmund's tomb., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

the removal of Edmund's tomb. John Lydgate (probably from Lidgate or Lydgate, 10 miles from Bury), a monk of the abbey of Bury St. Edmunds, translated this work on the life of king Edmund and his cousin Fremund from Latin

• Detail of a miniature of Edmund's body being taken to London., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

Edmund's body being taken to London. John Lydgate (probably from Lidgate or Lydgate, 10 miles from Bury), a monk of the abbey of Bury St. Edmunds, translated this work on the life of king Edmund and his cousin Fremund from

• Detail of a miniature of Edmund's body being transported., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

of Edmund's body being transported. John Lydgate (probably from Lidgate or Lydgate, 10 miles from Bury), a monk of the abbey of Bury St. Edmunds, translated this work on the life of king Edmund and his cousin Fremund from Latin

• Detail of a miniature of the installation of abbot Baldwin and the building of the abbey at Bury St. Edmond's., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

and the building of the abbey at Bury St. Edmond's. John Lydgate (probably from Lidgate or Lydgate, 10 miles from Bury), a monk of the abbey of Bury St. Edmunds, translated this work on the life of king Edmund and

• A drawing of a spirit, sun, man, and woman., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• A drawing of a man and woman embracing., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Drawing of an eagle, a snake, a man and a frog, with a legend below., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• A drawing of a village., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Drawing of vessels relating to alchemy., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Illuminated initial 'T'(has first) with foliate spray., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

first) with foliate spray. John Lydgate (probably from Lidgate or Lydgate, 10 miles from Bury), a monk of the abbey of Bury St. Edmunds, translated this work on the life of king Edmund and his cousin Fremund from Latin into

• Miniature of Nebuchadnezzar in bed with the Image of precious metals at the beginning of the prologue to Gower's Confessio amantis., Confessio amantis, with the Traitié pour essampler les amantz marietz, and a Latin prayer and two Latin Marian lyrics

of the prologue to Gower's Confessio amantis. This text was composed c. 1390 by John Gower (b. c. 1330, d. 1408), and is in the third recension of the text.One of 13 manuscripts containing an image of the Lover's Confession.

• Miniature of Nebuchadnezzar in bed with the Image of precious metals, and decorated initial 'O'(f hem) with acanthus leaves and foliate feathering extending into the margins at the beginning of the prologue to Gower's Confessio amantis., Confessio amantis, with the Traitié pour essampler les amantz marietz, and a Latin prayer and two Latin Marian lyrics

into the margins at the beginning of the prologue to Gower's Confessio amantis. This text was composed c. 1390 by John Gower (b. c. 1330, d. 1408), and is in the third recension of the text.One of 13 manuscripts containing

• Miniature of the Lover kneeling before the Confessor in a landscape at the beginning of book 1 of Gower's Confessio amantis, with an acanthus frame surrounding the miniature and decorated initial 'I'( may)., Confessio amantis, with the Traitié pour essampler les amantz marietz, and a Latin prayer and two Latin Marian lyrics

amantis, with an acanthus frame surrounding the miniature and decorated initial 'I'( may). This text was composed c. 1390 by John Gower (b. c. 1330, d. 1408), and is in the third recension of the text.One of 13 manuscripts containing

• Decorated initial 'H'(e) combined with a foliate border including acanthus leaves and besants at the beginning of the text., The Fall of Princes (index De casibus virorum et feminarum illustrium)

was in th[e] Kinges displeasu[re]' (f. 73). John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection,

• Miniature of Oedipus raising his sword to cut off the head of the Sphinx, portrayed as a man in a blue garment, holding a large scimitar., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Detail of a miniature of Jadan and Jereboam., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Miniature of the crowned head and dismembered body of King Cyrus in a barrel., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Detail of a miniature of Julian the Apostate., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Detail of a miniature of the death of Julian the Apostate., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with

• Detail of a miniature of the tomb of Arthur., The Fall of Princes (index De casibus virorum et feminarum illustrium), abridged

abridged Numerous medieval and post-medieval added inscriptions in Greek, English and Latin (ff. 1*v, 2*v, 265v, 266). John Bentley: inscribed in 1587 'John Bentley aetatis sue xxxiiii, fe. viii 1587 Anno eliza xxx' (f. 4v).Thomas Cotton, 16th century: inscribed with