• Historiated initial 'Q'(uid) with David and Goliath, at the beginning of Psalm 51., Psalter, with a calendar (ff. 1-6v), Psalms, imperfect (ff. 7-190v), and Canticles, hymns and prayers

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Illuminated initial 'D'(ixit) with white lions, at the beginning of Psalm 52., Psalter, with a calendar (ff. 1-6v), Psalms, imperfect (ff. 7-190v), and Canticles, hymns and prayers

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Historiated initial 'S'(alvum) at the beginning of Psalm 68, with Christ blessing and a man below with two demons., Psalter, with a calendar (ff. 1-6v), Psalms, imperfect (ff. 7-190v), and Canticles, hymns and prayers

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Historiated initial 'C'(onfitebor) with a monk writing., Psalter, with a calendar (ff. 1-6v), Psalms, imperfect (ff. 7-190v), and Canticles, hymns and prayers

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Miniature of George and the dragon; historiated initial 'G' with lion rampant and borders with foliate decoration., Book of Hours, Use of Sarum

devotion. Inscribed, 17th century: 'John Brooks' (f. 1). Inscribed, 17th century: 'Thomas Standlij of Trim' (f. 78). Robert Dale of Stratford-on-Avon, 17th century: inscribed with his name (ff. 16, 18), and the name of his cousin John Dale (f. 16).

• Miniature of the martyrdom of Thomas Becket, archbishop of Canterbury, decorated initial 'G'(aude) and foliate borders including an eagle, at the beginning of his suffrage, struck through in accordance with suppression of the cult under Henry VIII., Book of Hours, Use of Sarum

devotion. Inscribed, 17th century: 'John Brooks' (f. 1). Inscribed, 17th century: 'Thomas Standlij of Trim' (f. 78). Robert Dale of Stratford-on-Avon, 17th century: inscribed with his name (ff. 16, 18), and the name of his cousin John Dale (f. 16).

• Detail of a miniature of the Nativity, decorated initial 'D'(eus) and foliate borders including a cock, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Sarum

devotion. Inscribed, 17th century: 'John Brooks' (f. 1). Inscribed, 17th century: 'Thomas Standlij of Trim' (f. 78). Robert Dale of Stratford-on-Avon, 17th century: inscribed with his name (ff. 16, 18), and the name of his cousin John Dale (f. 16).

• Detail of a miniature of David pointing to his mouth, and illuminated initial 'D'(ixi), at the beginning of Psalm 38., Psalter, in the 'Breviary of John the Fearless and Margaret of Bavaria'), Use of Rome (index Breviary of Jean sans Peur)

gold. Small initials (1-line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Psalter, in the 'Breviary of John the Fearless and Margaret of Bavaria'), Use of Rome (index Breviary of Jean sans Peur) This manuscript (summer portion)

• Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration of Paradiso, Canto IV., Divina Commedia (index Divine Comedy)

Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration

• Detail of a miniature of Dante being examined by James and John, with Christ and angels looking on., Divina Commedia (index Divine Comedy)

Dante being examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large

• Detail of a miniature of Beatrice watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls., Divina Commedia (index Divine Comedy)

watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence

• Marginal miniatures of the kingship ritual in Trirconnell of killing of the white mare, the bath of a king in a stew of mare's meat, and eating of the meat by the king's supporters; and on the opposite page, two men of Connaugh in a boat called a curragh and an Irishman riding bare-chested on a horse., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Marginal miniatures of examples of bestiality: the Cow-stag of Chester, the woman of Connaught embracing a goat and Joanna of Paris embracing a lion, with an Irish cockerel, and Kevin of Glendalough allowing a bird to nest in his hand., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Initial 'Q'(uintus) with decoration in foliate and dot patterns at the beginning of book 4., Commentary on Jeremiah

Initial 'Q'(uintus) with decoration in foliate and dot patterns at the beginning of book 4. 7 initials in red, green or blue with penwork decoration in red and green (ff. 1, 1v, 20, 41, 60, 79v, 97v). Rubrics in

• Initial 'P'(rolixitas) at the beginning of book 6, and initial 'H'(oc) with decoration in foliate and dot patterns., Commentary on Jeremiah

Initial 'P'(rolixitas) at the beginning of book 6, and initial 'H'(oc) with decoration in foliate and dot patterns. 7 initials in red, green or blue with penwork decoration in red and green (ff. 1, 1v, 20, 41, 60, 79v,

• Decorated initial at the beginning of John., Four Gospels (the 'Harley Gospels', or 'Codex Harleianus')

the beginning of John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor

• Text page in John., Four Gospels (the 'Harley Gospels', or 'Codex Harleianus')

page in John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor of

• Miniature of John the Evangelist writing on a scroll on the island of Patmos, with his symbol, the eagle, nearby; behind him a demon peeks around a rock and upsets John's inkwell, with full foliate borders, at the beginning of the Gospels., Book of Hours, Use of Rome ('The Dunois Hours')

of John the Evangelist writing on a scroll on the island of Patmos, with his symbol, the eagle, nearby; behind him a demon peeks around a rock and upsets John's inkwell, with full foliate borders, at the beginning of the

• Miniature of John the Evangelist, holding a martyr's palm and a chalice in which a spider spins, with a full foliate border, at the beginning of his suffrage., Book of Hours, Use of Rome ('The Dunois Hours')

of John the Evangelist, holding a martyr's palm and a chalice in which a spider spins, with a full foliate border, at the beginning of his suffrage. A bond by Jean, Bastard d'Orléans, Comte de Dunois et de Longueville, to

• Miniature of the Trinity at the Resurrection of Christ, with John the Evangelist and the instruments of the Passion, with full foliate borders including a miniature of Gregory kneeling before an altar in a church, at the beginning of the Mass of St Gregory in the Passion according to John., Book of Hours, Use of Rome ('The Dunois Hours')

John the Evangelist and the instruments of the Passion, with full foliate borders including a miniature of Gregory kneeling before an altar in a church, at the beginning of the Mass of St Gregory in the Passion according to