• Zoomorphic initial 'U'(re) with 3 heads and interlaced bodies at the beginning of Book I, Chapter i., Historum adversum paganos (the 'Tollemache, Helmingham, or Lauderdale Orosius')

Dee (b. 1527, d. 1609), mathematician, astrologer, and antiquary: noted by Hickes in 1689.Inscribed 'Joan Davysun', 17th century (f. i). John Maitland, duke of Lauderdale (b. 1616–, d. 1682), politician, by 1676-78: noted by Hickes in 1689, as mansucript 167

• Zoomorphic initial (A)'E'(ft) with four heads and interlaced bodies at the beginning of Book III, Chapter i., Historum adversum paganos (the 'Tollemache, Helmingham, or Lauderdale Orosius')

Dee (b. 1527, d. 1609), mathematician, astrologer, and antiquary: noted by Hickes in 1689.Inscribed 'Joan Davysun', 17th century (f. i). John Maitland, duke of Lauderdale (b. 1616–, d. 1682), politician, by 1676-78: noted by Hickes in 1689, as mansucript 167

• Zoomorphic initial 'A'(eft) with two creatures and vine interlace patterns at the beginning of Book IV, Chapter i., Historum adversum paganos (the 'Tollemache, Helmingham, or Lauderdale Orosius')

Dee (b. 1527, d. 1609), mathematician, astrologer, and antiquary: noted by Hickes in 1689.Inscribed 'Joan Davysun', 17th century (f. i). John Maitland, duke of Lauderdale (b. 1616–, d. 1682), politician, by 1676-78: noted by Hickes in 1689, as mansucript 167

• Added drawings of the symbols of the four Evangelists, leaf and scroll ornament, labelled 'vinea Domini', part of a Latin alphabet and runes., Historum adversum paganos (the 'Tollemache, Helmingham, or Lauderdale Orosius')

Dee (b. 1527, d. 1609), mathematician, astrologer, and antiquary: noted by Hickes in 1689.Inscribed 'Joan Davysun', 17th century (f. i). John Maitland, duke of Lauderdale (b. 1616–, d. 1682), politician, by 1676-78: noted by Hickes in 1689, as mansucript 167

• White vine initial 'E'(t si) with decoration extending into the margins at the beginning of the text., Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

White vine initial 'E'(t si) with decoration extending into the margins at the beginning of the text. According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made in the 3rd

• Historiated initial 'Q' of Lawrence reading a book and holding a palm leaf, at his feet the gridiron of his martyrdom., Cuttings from a choir book

order Add. 18197, ff. A-F and ff. G-M.Musical notation. 2 historiated initials in colours and gold, of the Beheading of John the Baptist (f. A) and Lawrence (f. H); with on the reverses, part of one four-line red stave, musical

• Miniature of a death scene, with an angel and a devil fighting for the soul of the man lying in the foreground, decorated initial 'I'(ncipit) and foliate borders including hybrid figures and rabbits, at the beginning of the short Office of the Dead., Prayer book: Psalter of Jerome, Psalter of Augustine, Hours of the Dead, Hours of the Trinity, Hours of John the Baptist, Suffrages, Prayer to the Holy Face

blue grounds. Prayer book: Psalter of Jerome, Psalter of Augustine, Hours of the Dead, Hours of the Trinity, Hours of John the Baptist, Suffrages, Prayer to the Holy Face Made for a woman: although some miniatures depict the owner as

• Detail of inscription at the end of the main text in which the scribe, Brother Thomas Grene, has written his name in red. Four lines lower down, a later hand has written 'Grenewich', which suggests that the manuscript may have belonged to the Franciscan convent at Greenwich., Collection of Franciscan texts, including the life of Francis

minister Thomas to Roger at Wynde and Isabella, and is dated 1467 (ff. 1v-2); the second is from Thomas to John Baly and Katherine, and dated 145-. (ff. 76v-77).The Franciscan convent at Southampton: inscription 'Ad usum fratrum minore In Suythamptona'

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

Detail of illuminated initial. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31,

• Detail of lower border., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

Detail of lower border. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31,

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

Detail of illuminated initial. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31,

• Decorated initial 'E'(va) and border with leaves and foliate decoration., Meditationes, Soliloquia (ff. [28-74v]), and Manuale (ff. [74v-97v]); Liber Supputationum (suspiria) (ff. 97v-[114]); and various prayers or meditations

1897, d. 1977), businessman and book collector: his book-plate (inside upper cover); and manuscript number-plate 'HD M27' (first folio).The Henry Davis Gift of book-bindings was donated to the British Museum in 1968. Decorated initial Pseudo-Augustine; John of Fécamp Netherlands, N.

• Drawing of an interior space., Stimulus Conscientiae (Prick of Conscience); The Abbey of the Holy Ghost, and other devotional texts.

in red. Stimulus Conscientiae (Prick of Conscience); The Abbey of the Holy Ghost, and other devotional texts. 16th-century inscription 'Jhn John Danyell oethe this boke' (f. 26).16th-century inscriptions 'Roberte Holgate', or 'Robert Holgate' (ff. 93, 109v, 110).Cox Macro (b. 1683,

• Decorated initial., Office and Mass of the Dead (vol. 2)

Decorated initial. Musical notation.For vol. 1, see Egerton 3311. For a third volume in the set, formerly in the possession of Major J. R. Abbey, see E. Ph. Goldschmidt, ~Gothic and Renaissance Bookbindings: Exemplified and Illustrated from the Author's

• Text page, with marginal cryptic or secret letters, and five interlocking swords, with the inscription of a reader or performer: "Thomas Wen [?] he that myowth.", The play 'Infantia Salvatoris'

and shields. The play 'Infantia Salvatoris' The Benedictine priory of St Petroc, Bodmin, Cornwall: colophon with the name the scribe John Archer, a native of Bodmin and a canon of the priory of St. Petroc: 'Quod dominus Johannes architenens canonicus

• Historiated initial of Benedict with a partial border., Dialogues (ff. 1-98v), and a letter (ff. 99-107)

(ff. 18, 19, 39v, 68). Capital letters highlighted in red. Decorated catchwords. Dialogues (ff. 1-98v), and a letter (ff. 99-107) John Wright, librarian to George Henry Hay, 7th Earl of Kinnoull and husband of Abigail, youngest daughter of Robert Harley:

• Historiated initial of a seated bishop and kneeling woman, with a partial border., Dialogues (ff. 1-98v), and a letter (ff. 99-107)

(ff. 18, 19, 39v, 68). Capital letters highlighted in red. Decorated catchwords. Dialogues (ff. 1-98v), and a letter (ff. 99-107) John Wright, librarian to George Henry Hay, 7th Earl of Kinnoull and husband of Abigail, youngest daughter of Robert Harley:

• Miniature of the Adoration of the Magi, illuminated initial 'D'(eus) and foliate borders, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use effaced, probably Rouen

contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Adoration of the Magi Master of Sir John Fastolf Rouen France, N. E. (Rouen)

• Miniature of the Flight into Egypt, illuminated initial 'D'(eus) and foliate borders, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use effaced, probably Rouen

their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Flight into Egypt Master of Sir John Fastolf Rouen France, N. E. (Rouen)

• Miniature of the Baptism of Christ by John the Baptist., Four Gospels

Baptism of Christ by John the Baptist. The conclusions of each section of text are written in geometric shapes.Part of the 'Nicaea School', (see Carr 2005 p. 40).ff. 1* and 269 are paper leaves. 22 full-page or large miniatures in