• Detail of drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form

• Drawing of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Text pages with drawing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Text pages with drawing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of a drawiing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of a drawiing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Miniature of the Annunciation, decorated initial 'D'(omine), and full foliate border, at the beginning of the Hours of the Virgin., Book of Hours, Use of Paris

Miniature of the Annunciation, decorated initial 'D'(omine), and full foliate border, at the beginning of the Hours of the Virgin. 27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except the Annunciation

• Miniature of the Coronation of the Virgin, and full foliate border, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Paris

Miniature of the Coronation of the Virgin, and full foliate border, at the beginning of Compline in the Hours of the Virgin. 27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except

• Detail of white vine initial 'B'(ucolica) at the beginning of Servius' Commentary on Virgil's Eclogues., Commentary on Virgil’s Eclogues (index Bucolica, Bucolics) (ff. 1-17); Commentary on Virgil's Georgica (index Georgics)(ff. 17v-53v); Commentary on Virgil's Aeneis (index Aeneid) (ff. 54-191v)

Augustinian monastery of S. Giovanni in Verdara, Padua: given to them in 1478 by Pietro de Montagnana (see inscription above). John Gibson (fl. 1720-1726), dealer: sold to Edward Harley on 12 February 1719/20 (~Diary~ 1966; Wright 1972).The Harley Collection, formed

• Detail of white vine initial 'B'(ucolica) at the beginning of Servius' Commentary on Virgil's Georgica., Commentary on Virgil’s Eclogues (index Bucolica, Bucolics) (ff. 1-17); Commentary on Virgil's Georgica (index Georgics)(ff. 17v-53v); Commentary on Virgil's Aeneis (index Aeneid) (ff. 54-191v)

Augustinian monastery of S. Giovanni in Verdara, Padua: given to them in 1478 by Pietro de Montagnana (see inscription above). John Gibson (fl. 1720-1726), dealer: sold to Edward Harley on 12 February 1719/20 (~Diary~ 1966; Wright 1972).The Harley Collection, formed

• Historiated initial 'S'(ororem) with a man reading (Terence?), and full border of acanthus and flowers on unpainted ground, with a bird, and an angel holding unidentified arms., Comoediae (index comedies), preceded by arguments and prologues: Andria (ff. 1-23v), Eunuchus (ff. 23v-47), Heauton tirorumenos (ff. 47-68v), Adelphoe (ff. 68v-88v), Hecyra (ff. 88v-106), Phormio (ff. 106v-128)

Historiated initial 'S'(ororem) with a man reading (Terence?), and full border of acanthus and flowers on unpainted ground, with a bird, and an angel holding unidentified arms. f. 1* is a parchment flyleaf. Historiated initial in colours and gold

• Decorated initials and ink drawing of Christ on the cross at the beginning of a Passion poem., Various religious and moral treatises including The Clensing of Man's Soul (ff. 1-68v), a Passion poem (ff. 106-108v), Life of Catherine (ff. 115-123v), Life of Margaret (ff. 124-130), Life of Anne in verse (ff. 130v-139v), an excerpt from St Patrick's Purgatory (ff. 140-151v).

1500), daughter and heiress of Sir Robert Harling and Jane Gonvile, East Anglian resident, with connections to, among others, Sir John Fastolf and the Pastons: inscribed, 15th century, 'Thys ys the boke of dame Anne Wyngefeld of Har[l]yng' (f. 153,

• Historiated initial 'D' (ominus)' with Virgin and Child at the beginning of Matins in the Hours of the Virgin, with full paneled border of gold foliate decoration on coloured ground. In the borders, medallions with heads of haloed saints, 'IHS' monogram and coat of arms of the Guicciardini family of Florence (three hunting horns on azur) held by putti., Book of Hours, Use of Rome

the manuscript. Book of Hours, Use of Rome A member of the Guicciardini family of Florence: its arms (f. 13). John Gibson (fl. 1720-1726), dealer; sold to Edward Harley on 13 February 1723/4 (see ~Diary~ 1966; Wright 1972).The Harley Collection,

• Historiated initial and paneled border with foliate decoration and medallions with haloed heads and psaltery at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

the manuscript. Book of Hours, Use of Rome A member of the Guicciardini family of Florence: its arms (f. 13). John Gibson (fl. 1720-1726), dealer; sold to Edward Harley on 13 February 1723/4 (see ~Diary~ 1966; Wright 1972).The Harley Collection,

• White vine initial 'Q'(uanquam) combined with a three-sided border including putti holding a wreath originally designed to contain a heraldic motif, at the beginning of Cicero' De officiis., De amicitia (ff. 44-61); Paradoxa stoicorum (ff. 62-70); De senectute (ff. 71-87)' De officiis (ff. 90-163v)

White vine initial 'Q'(uanquam) combined with a three-sided border including putti holding a wreath originally designed to contain a heraldic motif, at the beginning of Cicero' De officiis. A composite volume: ff. 40 and 41 are the former end

• Miniature of the Virgin with the Christ Child, adored by an angel, and a full trompe l'oeil border, at the beginning of the Mass of the Virgin., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Miniature of the Annunciation, decorated initial 'D'(omine), and full foliate border, at the beginning of the Hours of the Virgin., Book of Hours, Use of Paris

Miniature of the Annunciation, decorated initial 'D'(omine), and full foliate border, at the beginning of the Hours of the Virgin. 27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except the Annunciation

• Miniature of the Coronation of the Virgin, and full foliate border, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Paris

Miniature of the Coronation of the Virgin, and full foliate border, at the beginning of Compline in the Hours of the Virgin. 27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except

• The decorated initial 'B'(eatus vir) of the opening words of the Psalter is composed of pairs of shafts, which transform from regular letter-forms into foliage and animal heads. The rest of the text on the page is in large angular coloured display capitals, with added Latin commentary., Psalter, in the Roman version (ff. 4-95), with canticles (ff. 96-104), a short litany (f. 104), a hymnal (ff. 105-128) and monastic canticles (ff. 129-135); added calendar (ff. 2,3) (the 'Bosworth Psalter')

earl of Arundel (b. 1512, d. 1580): inscribed 'Arundel' (f. 2); the Arundel collection bequeathed to Lord Lumley, his son-in-law. John Lumley, 1st baron Lumley (b. c.1533, d. 1609), collector and conspirator: inscribed with his name (f. 2). ? Perhaps

• Miniature of the Virgin with the Christ Child, adored by an angel, at the beginning of the Mass of the Virgin., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Border with hybrids and grotesques., Book of Hours, Use of Paris

Border with hybrids and grotesques. 27 large miniatures, accompanied by large decorated initials (3-4 lines) and full foliate borders on parchment, except the Annunciation on gold (f. 35), animated with a large variety of insects, animals, human and hybrid