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related to other manuscripts that may have been made in Salisbury.Various 16th-17th-century inscriptions: ' John Bollocke of Marden' (f. 34v), 'Abraham Millard' (Ilined out) (f. 43v), John Burd' (f. 53), 'James Solbrery' (f. 58), 'Edward Lord Herbert' (f. 65v), 'Richard
related to other manuscripts that may have been made in Salisbury.Various 16th-17th-century inscriptions: ' John Bollocke of Marden' (f. 34v), 'Abraham Millard' (Ilined out) (f. 43v), John Burd' (f. 53), 'James Solbrery' (f. 58), 'Edward Lord Herbert' (f. 65v), 'Richard
related to other manuscripts that may have been made in Salisbury.Various 16th-17th-century inscriptions: ' John Bollocke of Marden' (f. 34v), 'Abraham Millard' (Ilined out) (f. 43v), John Burd' (f. 53), 'James Solbrery' (f. 58), 'Edward Lord Herbert' (f. 65v), 'Richard
Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles
Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles
Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles
with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 11.Charles
with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 11.Charles
with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 11.Charles
Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles
Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles
with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 11.Charles
with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 11.Charles
the genealogical line from Stephen to John and his descendants. Contains a genealogical chronicle of the Kings of England from the Heptarchy to Edward I (b. 1239, d. 1307), king of England from 1272, with additions to include Edward II
of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff.
a miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand
Miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2), and a miniature of John with a symbol of Mark and the vision of the Red Horse,
of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the
a miniature of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution
Sheldonian, '1697', but 1698?), II, no. 6568.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 128.Charles