• Detail of a miniature of a phoenix biting a branch., Bestiary, with extracts from Giraldus Cambrensis on Irish birds

related to other manuscripts that may have been made in Salisbury.Various 16th-17th-century inscriptions: ' John Bollocke of Marden' (f. 34v), 'Abraham Millard' (Ilined out) (f. 43v), John Burd' (f. 53), 'James Solbrery' (f. 58), 'Edward Lord Herbert' (f. 65v), 'Richard

• Detail of a miniature of a phoenix burning, illustrating the text that when it felt that it was growing old, it would make its own funeral pyre, and allow itself to be consumed in the flames, which it fanned with its wings, and that it would rise again from the ashes., Bestiary, with extracts from Giraldus Cambrensis on Irish birds

related to other manuscripts that may have been made in Salisbury.Various 16th-17th-century inscriptions: ' John Bollocke of Marden' (f. 34v), 'Abraham Millard' (Ilined out) (f. 43v), John Burd' (f. 53), 'James Solbrery' (f. 58), 'Edward Lord Herbert' (f. 65v), 'Richard

• Detail of a miniature of a dragon attacking an elephant., Bestiary, with extracts from Giraldus Cambrensis on Irish birds

related to other manuscripts that may have been made in Salisbury.Various 16th-17th-century inscriptions: ' John Bollocke of Marden' (f. 34v), 'Abraham Millard' (Ilined out) (f. 43v), John Burd' (f. 53), 'James Solbrery' (f. 58), 'Edward Lord Herbert' (f. 65v), 'Richard

• Detail of a miniature of cranes., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Detail of a miniature of doves, including one on a nest in a bird house., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Detail of a miniature of mice and worms., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Text page with decorated initial 'U' and rubric., Enarrationes en Psalmos (51-100)

with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 11.Charles

• Large zoomorphic initial 'I' and smaller initial 'B', with foliate decoration., Enarrationes en Psalmos (101-150), imperfect

with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 11.Charles

• Decorated initial 'P'(salmus) and a smaller decorated initial 'C'(on), interlocking with foliate decoration., Enarrationes en Psalmos (101-150), imperfect

with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 11.Charles

• Detail of a miniature of an ill man in bed with a caladrius bird watching him., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Miniature of an ill man in bed with a caladrius bird watching him., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Detail of decorated initials 'P'(salmus) and 'C'(on), interlocking with foliate decoration., Enarrationes en Psalmos (101-150), imperfect

with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 11.Charles

• Detail of a large zoomorphic initial 'I' and smaller initial 'B', with foliate decoration., Enarrationes en Psalmos (101-150), imperfect

with the Theyer monogram (f. 1).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 11.Charles

• Detail from the roll of the genealogical line from Stephen to John and his descendants., Genealogical roll of the kings of England

the genealogical line from Stephen to John and his descendants. Contains a genealogical chronicle of the Kings of England from the Heptarchy to Edward I (b. 1239, d. 1307), king of England from 1272, with additions to include Edward II

• Miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff.

• Detail of a miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand

• Miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2), and a miniature of John with a symbol of Mark and the vision of the Red Horse, illustrating the opening of the Second Seal (Revelation 6: 3-4)., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

Miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2), and a miniature of John with a symbol of Mark and the vision of the Red Horse,

• Miniature of John asleep among rabbits, while an angel above speaks to him., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the

• Detail of a miniature of John asleep among rabbits, while an angel above speaks to him., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Detail of a zoomorphic initial 'S'(illaba est) at the beginning of the second book., De octo partibus orationis, imperfect at the beginning (missing the preface and part of the table of contents)

Sheldonian, '1697', but 1698?), II, no. 6568.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 128.Charles