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Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus Lord John Beaver, a monk of St. Albans, commissioned by him and given to the Benedictine abbey of St. Albans with the permission of John Whethamstede, abbot of St. Albans (1420-1440): inscribed, 'Hunc
Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus Lord John Beaver, a monk of St. Albans, commissioned by him and given to the Benedictine abbey of St. Albans with the permission of John Whethamstede, abbot of St. Albans (1420-1440): inscribed, 'Hunc
Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus Lord John Beaver, a monk of St. Albans, commissioned by him and given to the Benedictine abbey of St. Albans with the permission of John Whethamstede, abbot of St. Albans (1420-1440): inscribed, 'Hunc
the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine, Tractatus in
the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine, Tractatus in
manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 7746).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Virgin and Thomas Besforde John Lutton John Lutton Reading England, S. E. (Reading?)
no. 7976.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. John of Freiburg teaching Written by more than one scribe John of Freiburg (Johannes de Friburgo) East Anglia England, S. (East Anglia)
Initials, rubrics and paraphs in red. This is a detached leaf from Harley 1916. Leaf from Augustine's commentary on JohnJohn Bagford (b. 1650/51, d. 1716), bookseller and antiquary: part of the Bagford fragments sold to Edward Harley after his
Decorated initial 'T'(enebrosa) with foliate patterns and highlighted display script at the beginning of Homily VI. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on the last
Initial 'M'(emoratis with zoomorphic and foliate decoration at the beginning of Homily V of the last ten homilies. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on
Decorated initials 'd'(ilectissimo) and 'D'(ei omnipotentis) at the beginning of Gregory's epistle to Marinium and Homily I. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on the
Initial 'Q'(uia) with zoomorphic and foliate decoration at the beginning of Homily I of the last ten homilies. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on
de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis mille peractis. Et
de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis mille peractis. Et
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short