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Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723 (see Wright 1972).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
et alc. /meddelton', late 15th, early 16th century (f. 227).Humphrey Lloyd (b. c. 1527, d. 1568), Welsh antiquary, brother-in-law of John Lumley: inscribed 'Sum Humfredi Lloyde' (f. 4).John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator:
3. John II enthroned; 4. A battle illustrating the second Punic War, at the beginning of decade 2. Contains the 'Ab urbe condita' of Livy, translated by Pierre Bersuire (ca. 1290-1362), as 'Les decades de Titus Livius', for John II,
his eyes, representing the blindness of the Jews to the Christian fulfillment of Old Testament prophecy; miniature of John holding a scroll, in Matfré Ermengau of Béziers's Breviari d'Amour. The text is originally a Provencal poem composed between 1288 and
of John the Baptist, standing on a rock, prophesying to three men of the coming of Christ, in Matfré Ermengau of Béziers's Breviari d'Amour. The text is originally a Provencal poem composed between 1288 and 1292 by Matfré Ermengau of
Miniature of John the Baptist wearing a skin and a mantle and carrying a staff with a disc bearing the Agnus Dei; miniature of John the Baptist baptizing Christ while an angel holds his robe, in Matfré Ermengau of Béziers's
receiving the head of John the Baptist from a soldier, while John's headless body leans out of a tower on the right, in Matfré Ermengau of Béziers's Breviari d'Amour. The text is originally a Provencal poem composed between 1288 and
a portion of a message written in the margin by Lady Jane Grey to Sir John Bridges, Lieutenant of the Tower: 'Forasmutche as you have desired so simple a weman to wrighte in so worthye a booke (good) Mayster Leaftaunte
a message written in the margin by Lady Jane Grey to Sir John Bridges, Lieutenant of the Tower (continued from f. 75): '… to take the worde of trewethe utterlye oute of youre mouthe howe styll to dye that by
a message written in the margin by Lady Jane Grey to Sir John Bridges, Lieutenant of the Tower (continued from f. 76): '… Precher sayethe there is a tyme to be borne and a tyme to dye and the daye