• Detail of puzzle initial., Repertorium juris civilis

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of decorated initials., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of decorated initials., Pharsalia

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate with the pencil inscription: ‘XV.6.16’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Detail of puzzle initial., Bible with prologues, and Interpretation of Hebrew names (ff. 488-525v)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Text page., The Siege of Thebes

the Royal Society in 1667.The Royal Society, London: its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.' (f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Decorated initial 'X' with an abbreviated form of Christ's name, 'Xpi' at the beginning of Matthew 1.18., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• A frame with five roundels and interlace panels (probably intended for a 'Christ in Majesty' miniature)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Calendar with manumissions written on the outer edge of the page., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with decorated initial 'N'(ovum)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables with decoration., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables with Bodmin manumissions., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initials 'IN' with 'I' forming interlace pattern borderat the beginning of Mark's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initial 'Q'(uoniam) enclosing a flower at the beginning of Luke's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with rubric in capitals at the beginning of the Gospel of John., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Detail of the miniature of the Martyrdom of Blaise., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Montage composed of a miniature of the Assumption of the Virgin above the inscription 'Assumpta Est Maria' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and a yoke with motto 'Suave', two prophets in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici device of the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Montage composed of a miniature of the Martyrdom of Blaise surmounted by two Medici devices of a yoke with motto 'Suave' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, and two sibyls in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici 'Candor Illesus' device, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Historiated initial 'M' of the Calling of Peter and Andrew., Cutting from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335; Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Miniature of Alban holding a Tau-cross, presenting kneeling duke Humfrey of Gloucester (or perhaps Henry VI), with a scroll reading 'Pietas tua domine operetur in me', to Christ as Man of Sorrows and figure of the Trinity, beneath the dove of the Holy Spirit and the Father, with two angels; and the historiated initial 'C'(um) of David playing the harp with two angels, at the beginning of Psalm 4., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Psalm 4. Other manuscripts associated with the Master of Duke Humfrey's Psalms are: Guildhall, Corporation of London Records Office, 'Statuta Antiqua Angliae', f. 137, London, Drapers' Company, Patent of Arms, 10 March 1439, Capetown, South African Public Library, Grey 4

• Detail of a miniature of Alban holding a Tau-cross, presenting kneeling duke Humfrey of Gloucester (or perhaps Henry VI), with a scroll reading 'Pietas tua domine operetur in me', to Christ as Man of Sorrows and figure of the Trinity, beneath the dove of the Holy Spirit and the Father, with two angels., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

two angels. Other manuscripts associated with the Master of Duke Humfrey's Psalms are: Guildhall, Corporation of London Records Office, 'Statuta Antiqua Angliae', f. 137, London, Drapers' Company, Patent of Arms, 10 March 1439, Capetown, South African Public Library, Grey 4