• Full page miniature of Sir Niel Lorying and Sir James Dandele, of the Order of the Garter, each wearing a blue Garter mantle over plate armour and surcoat displaying his arms. A framed tablet displays painted arms of successors in their Garter stall at St. George's Chapel, Windsor., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Lorying and Dandele London England, S. E. (probably London)

• Full page miniature of Sir Harry Eam (unfinished) and Sir Walter Paveley (unfinished), of the Order of the Garter, wearing a blue Garter mantle over plate armour and surcoat displaying his arms. A framed tablet displays painted arms of successors in his Garter stall at St. George's Chapel, Windsor., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Eam and Paveley London England, S. E. (probably London)

• Pedigree of the Grimshaw of Claiton (index Clayton), with their coat of arms., 'The Visitacion of Lancashire' (index Visitation of Lancashire) (unfinished)

of Lancashire) (unfinished) William Smith (b. c. 1550, d. 1618), herald, playwright and topographer, c. 1575 citizen and Haberdasher of London, Rouge Dragon Pursuivant in 1597: written by him in 1598 following a visitation in 1467 (f. 2*), notes probably

• Historiated initial 'P'(ost) depicting Quintilian(?) writing; with a three-sided border incorporating putti supporting heraldic arms., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Illuminated white vine initial 'C'(um), at the beginning of Book 9 of Quintilian's Institutiones., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Illuminated white vine initia 'V'(entum), at the beginning of Book 12 of Quintilian's Institutiones., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Detail of illluminated initial., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Detail of illluminated initial., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Detail of historiated initial., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Detail of heraldry., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Decorated initial 'M'(arcus) with birds' heads and interlace on a ground of red dots, and decorated letters in a calligraphic copy of a page from Cotton Otho C.V at the beginning of Mark, and on the lower part of the page, an alphabetical 'sampler' of the letter forms found in the manuscript., Copy of a page from Cotton Otho C.V

68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the British Museum~, 3 vols (London: British Museum, 1906-1965), III, pp. 361-62). Large initials and display script in yellow, green, and red, with interlace, foliate,

• Detail of miniature of Lydgate and pilgrims on the road to Canterbury, at the beginning of the prologue of the Siege of Thebes., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

in the catalogue of 1666, Royal Appendix 71, f. 12.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Pilgrims John Lydgate, William Cornish, John Skelton, William Peeris London England, S. E. (London)

• Historiated initial 'C'(um) in colours and gold and the beginning of the book of Aristotle., Ethica (index Ethics)

Albinia de la Mare article in A.S. Osley, ~Calligraphy and Palaeography. Essays presented to Alfred Fairbank on his 70th birthday~ (London: Faber and Faber, 1965), pp. 55-68, and, on Dávalos, p. 62 n. 34).The Master of the 'Vitae Imperatorum' was

• Historiated initial 'I'(gitur) in colours and gold and the beginning of the book of Aristotle., Ethica (index Ethics)

Albinia de la Mare article in A.S. Osley, ~Calligraphy and Palaeography. Essays presented to Alfred Fairbank on his 70th birthday~ (London: Faber and Faber, 1965), pp. 55-68, and, on Dávalos, p. 62 n. 34).The Master of the 'Vitae Imperatorum' was

• Offset of the Trinity miniature, with an inscription reading '19 A XXII / p. 296'., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Miniature of the Trinity with a kneeling king, identified as Henry VII, and a full foliate border., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Miniature of the Trinity with a kneeling king, identified as Henry VII, and a full foliate border., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Miniature of the Resurrection of Christ, with a full foliate border., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Detail of a miniature of the Resurrection., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Detail of the emblem of the Order of the Garter, from the lower border of the folio., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and