• Framed initial 'Q' with foliate decoration., Commentary on the Psalms (51-100)

commentary on each of these is written in single-spaced lines in French. It is an adaptation of Peter Lombard's Latin 'Magna glosatura' written after 1163 for Laurette, daughter of Thierry d'Alsace, count of Flanders. The text refers to Count Ralph

• Initial 'C' with foliate decoration and display script. Decorated initials., Commentary on the Psalms (51-100)

commentary on each of these is written in single-spaced lines in French. It is an adaptation of Peter Lombard's Latin 'Magna glosatura' written after 1163 for Laurette, daughter of Thierry d'Alsace, count of Flanders. The text refers to Count Ralph

• Initial 'B'(eatus) at the beginning of Psalm 1 of Peter Lombard's 'Gloss on the Psalms'., Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2)

or blue. Display script in alternate red and blue letters or in blue. Rubrics in red. Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2) Numerous/extensive notes and horizontal tree-diagrams added by different 13th-century hands.Sir

• Full-page panel inhabited by hybrids and dragons, and four knights holding banners with the symbols of the four tribes camped around the Tabernacle (Judah, Reuben, Ephraim, Dan), and with the initial-word panel ~Wa-yedabber~ (and [the Lord] spoke) in its centre, at the beginning of Numbers., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Full-page panel inhabited by hybrids and dragons, and four knights holding banners with the symbols of the four tribes camped around the Tabernacle (Judah, Reuben, Ephraim, Dan), and with the initial-word panel ~Wa-yedabber~ (and [the Lord] spoke) in its

• Initial-word panel ~Divrei~ (words) at the beginning of Ecclesiastes. The initial word is surrounded by small medallions inhabited by animals and embedded into a Gothic architectural structure with King David playing harp in the middle flanked by a lion and a stag., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Initial-word panel ~Divrei~ (words) at the beginning of Ecclesiastes. The initial word is surrounded by small medallions inhabited by animals and embedded into a Gothic architectural structure with King David playing harp in the middle flanked by a lion

• Detail of a full-page panel: initial-word panel ~Wa-yehi~ (and it came to pass) inhabited by hybrids, a lion and a deer, at the beginning of Ruth., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of a full-page panel: initial-word panel ~Wa-yehi~ (and it came to pass) inhabited by hybrids, a lion and a deer, at the beginning of Ruth. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to

• Detail of a page: initial-word panel ~Shir~ (song) inhabited by a bear and a unicorn, at the beginning of Song of Songs., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of a page: initial-word panel ~Shir~ (song) inhabited by a bear and a unicorn, at the beginning of Song of Songs. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add

• Detail of a page: initial-word panel ~Divrei~ (words) with King David playing harp in the middle flanked by a lion and a stag, at the beginning of Ecclesiastes., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of a page: initial-word panel ~Divrei~ (words) with King David playing harp in the middle flanked by a lion and a stag, at the beginning of Ecclesiastes. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related

• Detail of a page: initial-word panel ~Wa-yehi~ (and it came to pass) embedded into a Gothic structure inhabited by dragons and different kinds of animals, at the beginning of Esther., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of a page: initial-word panel ~Wa-yehi~ (and it came to pass) embedded into a Gothic structure inhabited by dragons and different kinds of animals, at the beginning of Esther. Ruling and pricking are sometimes visible. Gilt edges.The manuscript

• Detail of a page: initial-word panel ~Koh~ (so) incorporated into a Gothic architectural structure inhabited by two armed hybrids and two unicorns, at the beginning of the ~Haftarot~., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of a page: initial-word panel ~Koh~ (so) incorporated into a Gothic architectural structure inhabited by two armed hybrids and two unicorns, at the beginning of the ~Haftarot~. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related

• Marginal micrographic design of foliate scroll., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Marginal micrographic design of foliate scroll. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of Saint Katharinental (Zürich, Schweizerisches Landesmuseum, Frauenfeld, LM 26117). 5 full-page miniatures

• Detail: micrography of the ram stuck in the bush in the outer margin, at the Sacrifice of Isaac (Genesis 22)., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail: micrography of the ram stuck in the bush in the outer margin, at the Sacrifice of Isaac (Genesis 22). Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and

• Detail of an initial-word panel with King David playing harp in the middle flanked by a lion and a stag., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of an initial-word panel with King David playing harp in the middle flanked by a lion and a stag. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and

• Marginal micrographic design of foliate scroll and a bird standing on top of three square boxes pecking from the upper one illustrating the chief baker’s dream of Joseph's story saying, ‘I also had a dream: there were three cake baskets on my head, and in the uppermost basket there were all sorts of baked food for Pharaoh, but the birds were eating it out of the basket on my head’ (Gen. 40:16-17)., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Marginal micrographic design of foliate scroll and a bird standing on top of three square boxes pecking from the upper one illustrating the chief baker’s dream of Joseph's story saying, ‘I also had a dream: there were three cake

• Puzzle initial 'C'(adit) with penwork decoration and 'j-border' extending along the text., Various mainly legal treatises including Tractatus de bastardia (ff. 12-19), Hengham's Summa magna and Summa parva (ff. 66-97), imperfect

initials left blank. Paraphs in red or blue. Various mainly legal treatises including Tractatus de bastardia (ff. 12-19), Hengham's Summa magna and Summa parva (ff. 66-97), imperfect Added manicula in a medieval hand.Added texts and annotations, 15th century (ff. 20v,

• Marginal micrographic design of foliate scroll and a bird standing on top of three square boxes pecking from the upper one illustrating the chief baker’s dream of Joseph's story saying, ‘I also had a dream: there were three cake baskets on my head, and in the uppermost basket there were all sorts of baked food for Pharaoh, but the birds were eating it out of the basket on my head’ (Gen. 40:16-17)., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Marginal micrographic design of foliate scroll and a bird standing on top of three square boxes pecking from the upper one illustrating the chief baker’s dream of Joseph's story saying, ‘I also had a dream: there were three cake