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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

2972 results from this resource . Displaying 101 to 120

Land of Cockaygne, survives only in this manuscript. For the full text of the poem and two versions in modern English, see: <http://www.thegoldendream.com/landofcokaygne.htm> [accessed 8 September 2008]. Large initials in red with purple pen-flourishing or in blue with red pen-flourishing.

from Scott together with other 311 manuscripts from Theyer's library. Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Scholar Iohannis de Ianua, Iohannes (Danck) de Saxonia and others France, Central (Paris)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

Sueorum', Ingerdis, Queen of Sweden, and Queen Rikiza of Sweden: see Franks 1881 p. 247.The calendar and litany have many English saints, e.g., Oswald, Cuthbert, Dunstan, Botulf, Wilfrid, Ethedreda, Sexburga, and Withburga, as well as Cnut and Olav.Inscription 'An 1613

f. 8* is a small parchment insertion.One of five English Cistercian missals currently known (see Chadd 1986 p. 306). 3 large initials in blue or green, with red penwork decoration, or in red with blue penwork decoration, at the canon

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

146v, 147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and

and a historiated border with eight roundels of scenes from the Old Testament, with cycles of the Battle of the Philistines and the building of Solomon's Temple, at the beginning of Psalm 68. This manuscript was formerly Additional 39810. 1

pen-flourishing. Apocalypse (Revelation) The Old Royal Library (the English Royal Library): perhaps in the catalogue of 1666, Royal Appendix 71, f. 14.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. The vision

pen-flourishing. Apocalypse (Revelation) The Old Royal Library (the English Royal Library): perhaps in the catalogue of 1666, Royal Appendix 71, f. 14.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. The vision

on the same folio the English 'blere eyed' is written in the margin as a gloss to the following 'eiant blaimcheure es oels', ~having blemished eyes~ (f.80).the French for ‘thorns’ is omitted and the English 'stake' is written in the

(imperfect at the beginning and end) The Old Royal Library (the English Royal Library): in the catalogue of 1666 (f. 11v).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial England

owned by her (see Carley 2000).Franceys de Brache[chen]: his name inscribed on f. i in a 15th/16th-century hand.The Old Royal Library (the English Royal Library): perhaps included in the inventory of the library of Richmond Palace in 1535 (no. 99)

Decorated initial 'Chi-rho', with a zoomorphic decoration, at the beginning of Matthew; and an added OldEnglish text of a manumission by king Athelstan. The manuscript contains a text of a manumission by King Athelstan, one of the earliest of

Detail of a decorated initial 'Chi-rho', with a zoomorphic decoration, at the beginning of Matthew; and an added OldEnglish text of a manumission by king Athelstan. The manuscript contains a text of a manumission by King Athelstan, one of

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 12 July 2024), https://www.manuscriptsonline.org/search/results?ac=f&ct=lm&kw=old%20english%20hexateuch&sdf=1321&sdt=1345&sr=ci&st=100