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under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Philosophy Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)
his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)
his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Blank folio Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)
under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Pegasus Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)
protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Seven Liberal Arts Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)
his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Four Muses Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)
his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Four Muses Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)
under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calliope Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)
Land of Cockaygne, survives only in this manuscript. For the full text of the poem and two versions in modern English, see: <http://www.thegoldendream.com/landofcokaygne.htm> [accessed 8 September 2008]. Large initials in red with purple pen-flourishing or in blue with red pen-flourishing.
from Scott together with other 311 manuscripts from Theyer's library. Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Scholar Iohannis de Ianua, Iohannes (Danck) de Saxonia and others France, Central (Paris)
red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000
red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000
red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000
red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000
red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000
red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and