• Detail of historiated initial of Christ showing his wounds, at the beginning of the Penitential Psalms., Roll of Hours (begins imperfectly)

red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000

• Miniature of the Crucifixion with a couple in prayer, at the beginning of the Penitential Psalms., Roll of Hours (begins imperfectly)

red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000

• Detail of historiated initial of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin., Roll of Hours (begins imperfectly)

red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000

• Detail of historiated initial of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Roll of Hours (begins imperfectly)

red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000

• Detail of historiated initial of the Slaughter of the Innocents, at the beginning of None in the Hours of the Virgin., Roll of Hours (begins imperfectly)

red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000

• Detail of historiated initial of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Roll of Hours (begins imperfectly)

red and blue or brown. Roll of Hours (begins imperfectly) Francis Seymour Powell (b. 1818, d. 1911), 1st Bart., Horton Old Hall, Bradford: his sale, Sotheby's, 16-20 December 1929, lot 741.Bought by the British Museum, using the Bridgewater fund (£12,000

• Historiated initial 'D'(ominus) of the prophet Samuel anointing David, with a hound chasing a hare in the bas-de-page., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Detail of a historiated initial 'C' (antate) of two monks singing at a lecturn, with one conducting., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Full bar border with a historiated initial 'B'(eatus) of David harping and a hound and a stag in the bas-de-page., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Detail of a historiated initial 'D'(ominus) of the prophet Samuel anointing David, with a hound chasing a hare in the bas-de-page., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Detail of illuminated initial and catchwords 'mala autem' with a face., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Historiated initial 'S'(alvum) of Jonah riding the whale., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• An historiated initial 'C'(antate) depicting two monks singing at a lectern, with one conducting; musical notation and border decoration with grotesques., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Embroidered chemise binding of crimson velvet with seed pearls and silver thread with Prince Henry's badge and motto., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

formally created Prince of Wales until 1610).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Embroidered chemise binding Ludovico degli Arrighi Ludovico degli Arrighi Attavante degli Attavanti Pandolfo Collenuccio of Pesaro (d.

• Upper cover of the binding, of gold-tooled red leather., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

formally created Prince of Wales until 1610).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Upper cover of the binding Ludovico degli Arrighi Ludovico degli Arrighi Attavante degli Attavanti Pandolfo Collenuccio of

• Miniature of the martyrdom of Alban in the upper register, and of the martyrdom of Amphibaldus in the lower register., Psalter and Canticles

England, Scotland, and Ireland: purchased from Scott together with other 311 manuscripts from Theyer's library.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Alban and Amphibaldus England, S. England, S. (St Albans)

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

vigesimo s[e]c[un]do. / ...'(vol. II, f. 358v). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text pages Pieter Meghen Pieter Meghen Simon Bening Horenbout England, S. E. England, S. E (London)

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

vigesimo s[e]c[un]do. / ...'(vol. II, f. 358v). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Pieter Meghen Pieter Meghen Simon Bening Horenbout England, S. E. England, S. E (London)

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

vigesimo s[e]c[un]do. / ...'(vol. II, f. 358v). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Pieter Meghen Pieter Meghen Simon Bening Horenbout England, S. E. England, S. E (London)

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

vigesimo s[e]c[un]do. / ...'(vol. II, f. 358v). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Pieter Meghen Pieter Meghen Simon Bening Horenbout England, S. E. England, S. E (London)