became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Diagrams Gautier de
became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. La fourme de
became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Night and Day
became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Gautier
Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now
the Carmelites of London (1379-92): inscribed 'De Dono rev[er]endi m[agist]ri fr[at]ris rob[erti] yuroi [conven]tus lond' with pressmark M.39m.The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 285' (f. 3), included in the inventory of books in the
the Carmelites of London (1379-92): inscribed 'De Dono rev[er]endi m[agist]ri fr[at]ris rob[erti] yuroi [conven]tus lond' with pressmark M.39m.The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 285' (f. 3), included in the inventory of books in the
the Carmelites of London (1379-92): inscribed 'De Dono rev[er]endi m[agist]ri fr[at]ris rob[erti] yuroi [conven]tus lond' with pressmark M.39m.The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 285' (f. 3), included in the inventory of books in the
the Carmelites of London (1379-92): inscribed 'De Dono rev[er]endi m[agist]ri fr[at]ris rob[erti] yuroi [conven]tus lond' with pressmark M.39m.The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 285' (f. 3), included in the inventory of books in the
the Carmelites of London (1379-92): inscribed 'De Dono rev[er]endi m[agist]ri fr[at]ris rob[erti] yuroi [conven]tus lond' with pressmark M.39m.The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 285' (f. 3), included in the inventory of books in the
the Carmelites of London (1379-92): inscribed 'De Dono rev[er]endi m[agist]ri fr[at]ris rob[erti] yuroi [conven]tus lond' with pressmark M.39m.The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 285' (f. 3), included in the inventory of books in the
the Carmelites of London (1379-92): inscribed 'De Dono rev[er]endi m[agist]ri fr[at]ris rob[erti] yuroi [conven]tus lond' with pressmark M.39m.The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 285' (f. 3), included in the inventory of books in the
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
Sueorum', Ingerdis, Queen of Sweden, and Queen Rikiza of Sweden: see Franks 1881 p. 247.The calendar and litany have many English saints, e.g., Oswald, Cuthbert, Dunstan, Botulf, Wilfrid, Ethedreda, Sexburga, and Withburga, as well as Cnut and Olav.Inscription 'An 1613
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and