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of an English king in armour and tabard (Richard II), presenting a plaque with verses. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's
of an English king in armour and tabard (Henry IV), presenting a plaque with verses. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's
of an English king in armour and tabard (Henry V), presenting a plaque with verses. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's
of an English king in armour and tabard (Henry VI), presenting a plaque with verses. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's
of an English king in armour and tabard (William the Conqueror), presenting a plaque with verses. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas
a kneeling donor, William Melreth, alderman of London, in prayer, with his arms. Below this in gold letters and in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church
the beginning of Genesis. 6 full-page miniatures, forming a cycle of images of the Old Testament (ff. 1-3v). Ff. 4-141v and 171v-221: 2 large historiated initials, developing partial borders, in colours and gold (ff. 4, 6v). 1 large decorated initial
Psalms. 6 full-page miniatures, forming a cycle of images of the Old Testament (ff. 1-3v). Ff. 4-141v and 171v-221: 2 large historiated initials, developing partial borders, in colours and gold (ff. 4, 6v). 1 large decorated initial with extension into
foliate border, at the beginning of an extract from the Old Testament. Suffrage to Thomas crossed out (f. 51v). 27 full-page miniatures, accompanied by large decorated initials on the following page, with full foliate borders, in colours and gold (ff.
calendar, 1480: '[D]ie sabbati A^o^ Domini 1480 med. noct. natus fuit I. Eage(?) … Eage(?)' (f. 6v). Added recipes in English, 15th century or 16th century, the second 'A watyr for the pestelens' (f. 111).Thomas Parker of Willingdon, Sussex, 16th
calendar, 1480: '[D]ie sabbati A^o^ Domini 1480 med. noct. natus fuit I. Eage(?) … Eage(?)' (f. 6v). Added recipes in English, 15th century or 16th century, the second 'A watyr for the pestelens' (f. 111).Thomas Parker of Willingdon, Sussex, 16th
calendar, 1480: '[D]ie sabbati A^o^ Domini 1480 med. noct. natus fuit I. Eage(?) … Eage(?)' (f. 6v). Added recipes in English, 15th century or 16th century, the second 'A watyr for the pestelens' (f. 111).Thomas Parker of Willingdon, Sussex, 16th
calendar, 1480: '[D]ie sabbati A^o^ Domini 1480 med. noct. natus fuit I. Eage(?) … Eage(?)' (f. 6v). Added recipes in English, 15th century or 16th century, the second 'A watyr for the pestelens' (f. 111).Thomas Parker of Willingdon, Sussex, 16th
calendar, 1480: '[D]ie sabbati A^o^ Domini 1480 med. noct. natus fuit I. Eage(?) … Eage(?)' (f. 6v). Added recipes in English, 15th century or 16th century, the second 'A watyr for the pestelens' (f. 111).Thomas Parker of Willingdon, Sussex, 16th
calendar, 1480: '[D]ie sabbati A^o^ Domini 1480 med. noct. natus fuit I. Eage(?) … Eage(?)' (f. 6v). Added recipes in English, 15th century or 16th century, the second 'A watyr for the pestelens' (f. 111).Thomas Parker of Willingdon, Sussex, 16th
calendar, 1480: '[D]ie sabbati A^o^ Domini 1480 med. noct. natus fuit I. Eage(?) … Eage(?)' (f. 6v). Added recipes in English, 15th century or 16th century, the second 'A watyr for the pestelens' (f. 111).Thomas Parker of Willingdon, Sussex, 16th
while below, four young men are standing before a Pope, who holds up open volumes containing the Old and New Testaments, in illustration of Paradiso V. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the
purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a
purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a
purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a