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manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that
manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that
manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that
manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that
manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that
viribus herbarum. Note that this is the oldest copy of the Old High German glosses on this text. 1puzzle initial in red and blue with red and blue pen-flourishing (f. 2). Other simple initials in red. Paraph marks in red.
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
they were lifted from the album, remounted individually and stored in a box. Citations in publications often refer to their old folio numbers. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
they were lifted from the album, remounted individually and stored in a box. Citations in publications often refer to their old folio numbers. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
paper leaves with 18th-century notes in English on Orosius, perhaps in the hand of Anthony Askew. 1 large historiated initial with partial border, in colours and gold (f. 4). Large puzzle initials in red and blue, with red and mauve
the title of the work, in gold letters; behind him, to the left, two lions support the old arms of Burgundy, with shelves of books on the right. The text is ascribed traditionally to Olivier de la Marche, but it
our Lorde 1525. Wyttenesse Robert Lytylbouroug Sayewell etc, the viiith day of May', together with other inscriptions in French and English in Gothic cursive (f. 130v).? John Starky (d. 1613), father of Ralph Starkey, a close associate of Sir Robert
our Lorde 1525. Wyttenesse Robert Lytylbouroug Sayewell etc, the viiith day of May', together with other inscriptions in French and English in Gothic cursive (f. 130v).? John Starky (d. 1613), father of Ralph Starkey, a close associate of Sir Robert
Manuscripts Reading Room order Add. 60630. To see the Ascott Album which originally contained all the cuttings order Add. 60630, Old Covers.Other cuttings and borders from service books of Innocent VIII are: From his Benedictional (A.I.18): Cleveland, private collection (see
Manuscripts Reading Room order Add. 60630. To see the Ascott Album which originally contained all the cuttings order Add. 60630, Old Covers.Other cuttings and borders from service books of Innocent VIII are: From his Benedictional (A.I.18): Cleveland, private collection (see
Manuscripts Reading Room order Add. 60630. To see the Ascott Album which originally contained all the cuttings order Add. 60630, Old Covers.Other cuttings and borders from service books of Innocent VIII are: From his Benedictional (A.I.18): Cleveland, private collection (see
Manuscripts Reading Room order Add. 60630. To see the Ascott Album which originally contained all the cuttings order Add. 60630, Old Covers.Other cuttings and borders from service books of Innocent VIII are: From his Benedictional (A.I.18): Cleveland, private collection (see