• Calligraphic initials 'T'(enor) and 'B'(assus)., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calligraphic initials Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Blank page., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Blank page Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Miniature of a red rose surrounded by a canon with music inscribed on two circular staves., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Red rose Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Illuminated initials 'P'(salite) and 'U'., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Illuminated initials Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Text page with musical notation., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Text page with musical notation., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Text page with musical notation., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Text page with musical notation., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Calligraphic initial 'T'(enor)., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calligraphic initial Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Blank page., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Blank page Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Historiated initial 'S'(ub) of the Virgin and Child, at the beginning of a motet to the Virgin by Benedictus de Opitiis., Motets

and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Virgin and Child Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Illuminated initial 'Q'(uam) with a red rose and a butterfly., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Red rose Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Text page with musical notation., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Illuminated initial with a red rose., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Red rose Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Text page with musical notation., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Illuminated initial 'B'(eati)., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Illuminated initial Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Illuminated initial 'E'(cce)., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Illuminated initial Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• Blank page., Motets

Scotland, and marigolds for his sister, Mary of France (f. 2).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Blank page Magister Sampson, Benedictus de Opitiis and others Antwerp Netherlands, S. (Antwerp?)

• A section of foliate border with a lozenge made up of Medicean ~bronconi~ inscribed 'GLO / VI / S' (at left of image)., Cutting from a de' Medici manuscript, probably of Leo X

21412, ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. 1 section of foliate border in colours and gold, with a lozenge made up of Medicean ~bronconi~ inscribed

• Miniature of the author of the chronicle, standing behind a brown scroll on which is inscribed the title of the work, in gold letters; behind him, to the left, two lions support the old arms of Burgundy, with shelves of books on the right., Chroniques abrégées des Anciens Rois et Ducs de Bourgogne

the title of the work, in gold letters; behind him, to the left, two lions support the old arms of Burgundy, with shelves of books on the right. The text is ascribed traditionally to Olivier de la Marche, but it