• Text page., Diatessaron (or Unum ex quatuor), with glosses

Added inscription mentioning Richard I [called Richard Coeur de Lion, Richard the Lionheart] (b. 1157, d.1199), king of England, duke of Normandy and of Aquitaine: 'Ric[ar]d[us] Rex Anglie dux normannie, Comes andigavie o[mn]ib[us] sibi subicis salt.', end of the 12th

• Zoomorphic initial 'A'(mmonius) formed of a dragon, at the beginning of the letter of Eusebius to Carpianus; and a foliate initial 'V'(idi)., Diatessaron (or Unum ex quatuor), with glosses

Added inscription mentioning Richard I [called Richard Coeur de Lion, Richard the Lionheart] (b. 1157, d.1199), king of England, duke of Normandy and of Aquitaine: 'Ric[ar]d[us] Rex Anglie dux normannie, Comes andigavie o[mn]ib[us] sibi subicis salt.', end of the 12th

• Text page with initial 'P'(ROVIDE) with penwork decoration at the beginning of the edict of King Alaric., Variae (abridgement of the last five books)

(abridgement of the last five books) The Convent of Austin Friars, York: in the catalogue of 1372 (Dublin, Trinity College MS 359, ff. 5-48) no. 460.John Erghome, prior ofYork (c.1385): an erased inscription in the upper margin of the

• Text page with 'P'(lerumque) with penwork decoration., Variae (abridgement of the last five books)

(abridgement of the last five books) The Convent of Austin Friars, York: in the catalogue of 1372 (Dublin, Trinity College MS 359, ff. 5-48) no. 460.John Erghome, prior ofYork (c.1385): an erased inscription in the upper margin of the

• Text page with initial 'Q'(ui) with penwork decoration., Variae (abridgement of the last five books)

(abridgement of the last five books) The Convent of Austin Friars, York: in the catalogue of 1372 (Dublin, Trinity College MS 359, ff. 5-48) no. 460.John Erghome, prior ofYork (c.1385): an erased inscription in the upper margin of the

• Text page with quire number in arabic numerals written backwards: '610' for 16., Variae (abridgement of the last five books)

(abridgement of the last five books) The Convent of Austin Friars, York: in the catalogue of 1372 (Dublin, Trinity College MS 359, ff. 5-48) no. 460.John Erghome, prior ofYork (c.1385): an erased inscription in the upper margin of the

• Text page with puzzle initial 'P'(ropositi) with penwork decoration and rubric added in a later cursive script ., Variae (abridgement of the last five books)

(abridgement of the last five books) The Convent of Austin Friars, York: in the catalogue of 1372 (Dublin, Trinity College MS 359, ff. 5-48) no. 460.John Erghome, prior ofYork (c.1385): an erased inscription in the upper margin of the

• null, Epistolae ex Ponto

p(r)aying yow to send me ye questions of albart. [i.e. Albertus Magnus, Quaestiones de animalibus?] By yo(ur) l[oner dai??] Thoma(s) hossom [/ hopson?]’ (f. 47v).Successive monks of the Benedictine Abbey of St. Mary, York: over an erasure, in a formal

• null, Epistolae ex Ponto

p(r)aying yow to send me ye questions of albart. [i.e. Albertus Magnus, Quaestiones de animalibus?] By yo(ur) l[oner dai??] Thoma(s) hossom [/ hopson?]’ (f. 47v).Successive monks of the Benedictine Abbey of St. Mary, York: over an erasure, in a formal

• null, Epistolae ex Ponto

p(r)aying yow to send me ye questions of albart. [i.e. Albertus Magnus, Quaestiones de animalibus?] By yo(ur) l[oner dai??] Thoma(s) hossom [/ hopson?]’ (f. 47v).Successive monks of the Benedictine Abbey of St. Mary, York: over an erasure, in a formal

• Historiated initial 'N' of Olivetan Monks worshipping the Cross., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Detail of miniature of two goats, one grazing, the other eating from a tree., Theological miscellany, including the Summa de vitiis (see Notes for contents)

in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Miniature Peraldus England

• Detail of a miniature of a man in a boat with a spear pursuing a hydros., Theological miscellany, including the Summa de vitiis (see Notes for contents)

in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Miniature Peraldus England

• Illuminated initial., Breviary, Use of York (fragment), with a calendar (ff. 2-7v)

calendar. Breviary, Use ofYork (fragment), with a calendar (ff. 2-7v) Originally part of the same volume as Additional 34190. John Rawe, priest (d. 1500): inscription of his obit (f. 4). Marjory Bulmer (d. 1524): inscription of her obit (f.

• Music to Kyrie Eleison and St Godric's Hymns., Epistola and Apologia

[Prior of Beverley] (ff. 8v-10); to Peter, Cardinal-deacon (ff. 10-11); to G[aufridus], Abbot of St. Mary ofYork (ff. 11-11v) and (ff. 11v-12); to Turstan, Archbishop ofYork (f. 12);; to R[ichard], Abbot of Fountains(ff. 12-12v); to David, King of

• Music to Kyrie Eleison and St Godric's Hymns in English., Epistola and Apologia

[Prior of Beverley] (ff. 8v-10); to Peter, Cardinal-deacon (ff. 10-11); to G[aufridus], Abbot of St. Mary ofYork (ff. 11-11v) and (ff. 11v-12); to Turstan, Archbishop ofYork (f. 12);; to R[ichard], Abbot of Fountains(ff. 12-12v); to David, King of

• Decorated initial 'Q'(uae) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

p(r)aying yow to send me ye questions of albart. [i.e. Albertus Magnus, Quaestiones de animalibus?] By yo(ur) l[oner dai??] Thoma(s) hossom [/ hopson?]’ (f. 47v).Successive monks of the Benedictine Abbey of St. Mary, York: over an erasure, in a formal

• Initial 'N'(aso) and inscription of Roger Twysden, at the beginning of Ovid's Epistolae ex Ponto., Epistolae ex Ponto

'N'(aso) and inscription of Roger Twysden, at the beginning of Ovid's Epistolae ex Ponto. Large decorated initials in green, red, or both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to

• Decorated initial 'R'(edditus) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

p(r)aying yow to send me ye questions of albart. [i.e. Albertus Magnus, Quaestiones de animalibus?] By yo(ur) l[oner dai??] Thoma(s) hossom [/ hopson?]’ (f. 47v).Successive monks of the Benedictine Abbey of St. Mary, York: over an erasure, in a formal

• Decorated initial 'R'(edditus) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

p(r)aying yow to send me ye questions of albart. [i.e. Albertus Magnus, Quaestiones de animalibus?] By yo(ur) l[oner dai??] Thoma(s) hossom [/ hopson?]’ (f. 47v).Successive monks of the Benedictine Abbey of St. Mary, York: over an erasure, in a formal