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III and Richard II, and one of the Lollard knights: owned by him, see inscription below.Thomas [Thomas of Woodstock], duke of Gloucester (b. 1355, d. 1397), prince, the seventh (but fifth surviving) son of Edward III and Philippa of Hainault:
III and Richard II, and one of the Lollard knights: owned by him, see inscription below.Thomas [Thomas of Woodstock], duke of Gloucester (b. 1355, d. 1397), prince, the seventh (but fifth surviving) son of Edward III and Philippa of Hainault:
III and Richard II, and one of the Lollard knights: owned by him, see inscription below.Thomas [Thomas of Woodstock], duke of Gloucester (b. 1355, d. 1397), prince, the seventh (but fifth surviving) son of Edward III and Philippa of Hainault:
III and Richard II, and one of the Lollard knights: owned by him, see inscription below.Thomas [Thomas of Woodstock], duke of Gloucester (b. 1355, d. 1397), prince, the seventh (but fifth surviving) son of Edward III and Philippa of Hainault:
III and Richard II, and one of the Lollard knights: owned by him, see inscription below.Thomas [Thomas of Woodstock], duke of Gloucester (b. 1355, d. 1397), prince, the seventh (but fifth surviving) son of Edward III and Philippa of Hainault:
'Etymologies' of Isidore, of Rabanus Maurus (b. c. 776, d. 856), abbot of Fulda and later archbishop of Mainz (ff. 6-282v), preceded by the letters to Louis the Germanic, king of Germany (843-876) (ff. 1-2), and to Haymo, bishop of
'Etymologies' of Isidore, of Rabanus Maurus (b. c. 776, d. 856), abbot of Fulda and later archbishop of Mainz (ff. 6-282v), preceded by the letters to Louis the Germanic, king of Germany (843-876) (ff. 1-2), and to Haymo, bishop of
'Etymologies' of Isidore, of Rabanus Maurus (b. c. 776, d. 856), abbot of Fulda and later archbishop of Mainz (ff. 6-282v), preceded by the letters to Louis the Germanic, king of Germany (843-876) (ff. 1-2), and to Haymo, bishop of
Detail of a miniature of a battle with Richard I of England at Arques. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies
Detail of a miniature of a battle with Richard I of England before Gisors. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies
Detail of a miniature of the coronation ofRichard I. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before 1350, and
Miniature of Duke Richardof Normandy giving presents to his knights. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before 1350,
Detail of a miniature of the death-bed of Duke Richardof Normandy. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before
Miniature of the deathbed of Duke Richardof Normandy. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before 1350, and illuminated
III and Richard II, and one of the Lollard knights: owned by him, see inscription below.Thomas [Thomas of Woodstock], duke of Gloucester (b. 1355, d. 1397), prince, the seventh (but fifth surviving) son of Edward III and Philippa of Hainault:
III and Richard II, and one of the Lollard knights: owned by him, see inscription below.Thomas [Thomas of Woodstock], duke of Gloucester (b. 1355, d. 1397), prince, the seventh (but fifth surviving) son of Edward III and Philippa of Hainault:
beginning of the prologue. Catchwords, quire signatures in upper or lower margins, guide numbers for chapter numbers, numerous corrections and corrector's signatures 'corr' next to catchwords.According to Michael A. Michael, this manuscript was designed as part of a set of
Detail of an historiated initial 'F'(rater) of Jerome writing, at the beginning of the prologue. Catchwords, quire signatures in upper or lower margins, guide numbers for chapter numbers, numerous corrections and corrector's signatures 'corr' next to catchwords.According to Michael A.
(f. 1), included in the inventory of books in the Upper Library at Westminster of 1542.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Days of Creation with Adam and Eve cycle
Detail of a miniature of Adam and Eve, at the beginning of Genesis. Catchwords, quire signatures in upper or lower margins, guide numbers for chapter numbers, numerous corrections and corrector's signatures 'corr' next to catchwords.According to Michael A. Michael, this