• Historiated initial 'D' or 'O' of Christ Disputing with the Merchants. The robe of the figure to the right is inscribed 'A. P. S. VITV. SI?S'., Cutting from an Antiphoner (index antiphonary, antiphonal)

New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 52a); New York, The

• Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 of Richard of St-Victor's In apocalypsim., In apocalypsim

Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly

• Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 of Richard of St-Victor's In apocalypsim., In apocalypsim

Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials

• Decorated initial 'M'(arcus) with birds' heads and interlace on a ground of red dots, and decorated letters in a calligraphic copy of a page from Cotton Otho C.V at the beginning of Mark, and on the lower part of the page, an alphabetical 'sampler' of the letter forms found in the manuscript., Copy of a page from Cotton Otho C.V

on a ground of red dots, and decorated letters in a calligraphic copy of a page from Cotton Otho C.V at the beginning of Mark, and on the lower part of the page, an alphabetical 'sampler' of the letter forms

• Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin., Single leaf of a Book of Hours

Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin. The calligraphic copies include representations of a harp (f. 68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the

• Manuscripts of the West Midlands

Prick of Conscience , the Abbey of the Holy Ghost and the Three Kings of Cologne . The mid fifteenth-century date of 1442 is indicated by the explicit of item 5, 'Thus endythe þe lyffe of iij kyngys of coleyne

• Manuscripts of the West Midlands

and the names of recipients of copies of this Middle Hill edition. Other notes on f. iv, presumably by a member of the Fermor family, are taken from Warton's account of the manuscript ( The History of English Poetry ,

• Manuscripts of the West Midlands

p. 154. f. 178r-v Fifteen Joys of the Virgin 'Legitur...archiepiscopus viii gaudia'. Narrative of the vision of St. Thomas, Archbishop of Canterbury, concerning the Fifteen Joys of the Virgin. Latin ff. 178v-179r Memorial of St. George 'Salue miles nobilis'. Latin

• Manuscripts of the West Midlands

of Robert of Gloucester/Piers Plowman/Aldelmus de Vita Monachorum'. Later drawings: drawing of comic face on ff. 224r and 229r. On f. 230r are three faces, two brown copies of one in black. On f. 286v there are two versions

• Manuscripts of the West Midlands

H., ed, 1959. Historical Poems of the XIVth and XVth Centuries , New York: Columbia University Press. Ward, H. 1910. Catalogue of Romances in the Department of Manuscripts in the British Museum , London: Trustees of the British Museum, 2,