Prick of Conscience , the Abbey of the Holy Ghost and the Three Kings of Cologne . The mid fifteenth-century date of 1442 is indicated by the explicit of item 5, 'Thus endythe þe lyffe of iij kyngys of coleyne
and the names of recipients of copies of this Middle Hill edition. Other notes on f. iv, presumably by a member of the Fermor family, are taken from Warton's account of the manuscript ( The History of English Poetry ,
p. 154. f. 178r-v Fifteen Joys of the Virgin 'Legitur...archiepiscopus viii gaudia'. Narrative of the vision of St. Thomas, Archbishop of Canterbury, concerning the Fifteen Joys of the Virgin. Latin ff. 178v-179r Memorial of St. George 'Salue miles nobilis'. Latin
H., ed, 1959. Historical Poems of the XIVth and XVth Centuries , New York: Columbia University Press. Ward, H. 1910. Catalogue of Romances in the Department of Manuscripts in the British Museum , London: Trustees of the British Museum, 2,
d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the
d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the
Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly
Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials
Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin. The calligraphic copies include representations of a harp (f. 68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the