• Detail of miniature., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of the Cluys family of Bourges and of his order (f. 11).

• Detail of miniature., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of the Cluys family of Bourges and of his order (f. 11).

• Detail of initial and lower border., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of the Cluys family of Bourges and of his order (f. 11).

• Detail of miniature., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of the Cluys family of Bourges and of his order (f. 11).

• Detail of initial and lower border., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of the Cluys family of Bourges and of his order (f. 11).

• Miniature of cannons firing at a besieged city in flames., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of the Cluys family of Bourges and of his order (f. 11).

• Illuminated initial., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of the Cluys family of Bourges and of his order (f. 11).

• Miniature of handguns in use at a siege., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of the Cluys family of Bourges and of his order (f. 11).

• Illuminated initial., History of Alexander the Great (Les faize d'Alexandre) (index De Rebus Gestis Alexandri Magni; Historia Alexandri Magni)

de Cluis (Cluys), Knight of the Order of Saint John of Jerusalem and Bailiff of the Morea: purchased by him in 1475: dated inscription (f. 13); the arms of the Cluys family of Bourges and of his order (f. 11).

• Miniature of Alexander attending the funeral of those killed fighting Darius., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of the death of Alexander Lyncestes., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of the enthroned Alexander giving orders to his generals., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Alexander directing sacrifices to the sun., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Cleander and others beheaded, Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Frontispiece with miniature of Vasco da Lucena presenting his translation to Charles the Bold., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of the surrender of Celaenae., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Darius' letter being delivered., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Historiated initial ?'O' of two male saints, measuring 155 x 100 mm. On the reverse, two four-line staves, musical notation and partial text 'eluia'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'G' with the Assumption of the Virgin, measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text 'collau'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'N' with Peter and Paul, measuring 160 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...expectatio /…bis iude'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.